यह गदा इन शूरवीर भूपालका साथ किसी भी युद्धमें नहीं छोड़ती थी और आज स्वर्गलोकमें जाते समय भी यशस्वी नरेशका साथ नहीं छोड़ रही है ।। पश्येमां सह वीरेण जाम्बूनदविभूषिताम् । शयानां शयने हम्यें भार्या प्रीतिमतीमिव,देखो, यह सुवर्णभूषित गदा इन वीर भूपालके साथ रणशय्यापर उसी प्रकार सो रही है, जैसे महलमें प्रेम रखनेवाली पत्नी इनके साथ सोया करती थी
paśyemāṃ saha vīreṇa jāmbūnadavibhūṣitām | śayānāṃ śayane harmye bhāryā prītimatīm iva ||
Kripa said: “Look at this mace, adorned with Jāmbūnada-gold. It lies beside the hero upon his bed of battle, as though it were a loving wife lying with him on a palace couch. Even as the renowned king departs for heaven, this weapon that never abandoned him in any war does not abandon him now.”
कृप उवाच
The verse highlights steadfast loyalty and identity through dharma: a warrior’s defining companion—his weapon—remains with him even in death. It evokes the ethical weight of kṣatriya life, where honor, duty, and the instruments of war are inseparable, while also underscoring the tragedy and intimacy of battlefield loss.
Kṛpa points to the fallen king/hero on the battlefield and draws a poignant comparison: the gold-adorned mace lies beside him on the ‘bed of arrows/battle,’ like a loving wife beside her husband in a palace. The image intensifies the scene’s grief and reverence for the warrior’s fame as he is imagined to be going to heaven.