Shloka 69
Sauptika Parva, Adhyaya 8 — Dhṛṣṭadyumna-vadha and the Camp’s Nocturnal Rout
कालीं रक्तास्यनयनां रक्तमाल्यानुलेपनाम् | रक्ताम्बरधरामेकां पाशहस्तां कुटुम्बिनीम्,उस समय पाण्डवपक्षके योद्धाओंने मूर्तिमती कालरात्रिको देखा, जिसके शरीरका रंग काला था, मुख और नेत्र लाल थे। वह लाल फूलोंकी माला पहने और लाल चन्दन लगाये हुए थी। उसने लाल रंगकी ही साड़ी पहन रखी थी। वह अपने ढंगकी अकेली थी और हाथमें पाश लिये हुए थी। उसकी सखियोंका समुदाय भी उसके साथ था। वह गीत गाती हुई खड़ी थी और भयंकर पाशोंद्वारा मनुष्यों, घोड़ों एवं हाथियोंको बाँधकर लिये जाती थी
kālīṁ raktāsyanayanāṁ raktamālyānulepanām | raktāmbaradharām ekāṁ pāśahastāṁ kuṭumbinīm ||
Sañjaya said: “They beheld Kālarātri embodied—dark in hue, yet with a blood-red mouth and eyes; adorned with a garland and unguents of red, and clothed in red. She stood singular and uncanny, holding a noose in her hand, attended by her own retinue.”
संजय उवाच
Educational Q&A
When warfare descends into adharma, its consequences are portrayed as inevitable and supra-human: Death/Time (Kālarātri) ‘binds’ beings like a noose, emphasizing karmic ripening and the collapse of moral restraint.
In Sañjaya’s report, the warriors perceive a terrifying embodied figure—Kālarātri—marked by red eyes and mouth, red adornments and clothing, holding a noose and accompanied by attendants. The apparition functions as a portent that many lives are about to be taken and that the night’s violence is under the shadow of inexorable death.