Shloka 166

ज्वलन्तीं प्राहिणोत्‌ तस्मै भूतं तामपि चाग्रसत्‌ । तदनन्तर कुपित हुए अश्वत्थामाने उसके ऊपर अपनी इन्द्रध्वजके समान प्रकाशित होनेवाली गदा चलायी; परंतु वह भूत उसे भी लील गया

sañjaya uvāca | jvalantīṁ prāhiṇot tasmai bhūtaṁ tām api cāgrasat | tad-anantaraṁ kupito ’śvatthāmā tasya upari indra-dhvaja-sama-prakāśāṁ gadāṁ prāhiṇot; parantu tat bhūtam tām api līlayā jagrāsa |

Sanjaya said: He hurled a blazing weapon at him, but that very being swallowed it. Then, enraged, Ashvatthama cast at it a mace shining like Indra’s banner; yet that spirit effortlessly devoured even the mace. The scene underscores the moral inversion of the night-raid: when violence is unmoored from dharma, human prowess and weapons lose their rightful efficacy before darker, uncanny forces.

ज्वलन्तीम्blazing
ज्वलन्तीम्:
Karma
TypeAdjective
Rootज्वलत् (धातु: ज्वल्)
FormFeminine, Accusative, Singular
प्राहिणोत्sent forth
प्राहिणोत्:
Karta
TypeVerb
Rootप्र-हि (धातु: हि)
FormImperfect, 3rd, Singular, Parasmaipada
तस्मैto him
तस्मै:
Sampradana
TypePronoun
Rootतद्
FormMasculine/Neuter, Dative, Singular
भूतम्a spirit/being
भूतम्:
Karma
TypeNoun
Rootभूत
FormNeuter, Accusative, Singular
ताम्that (her/it)
ताम्:
Karma
TypePronoun
Rootतद्
FormFeminine, Accusative, Singular
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि
and
:
TypeIndeclinable
Root
अग्रसत्swallowed/devoured
अग्रसत्:
Karta
TypeVerb
Rootग्रस् (धातु: ग्रस्)
FormImperfect, 3rd, Singular, Parasmaipada

संजय उवाच

S
Sanjaya
A
Ashvatthama
B
Bhuta (spirit/supernatural being)
G
Gada (mace)
I
Indra (by comparison: Indra-dhvaja)

Educational Q&A

The verse highlights the collapse of ordinary martial power when action proceeds in a morally corrupted space: weapons and strength, detached from dharma, can become ineffective, and the narrative frames the night’s violence as inviting uncanny, destructive forces beyond human control.

A supernatural being confronts the attacker; a flaming missile is hurled but is swallowed. Ashvatthama, angered, then throws a mace shining like Indra’s standard, yet the being devours that too, showing the spirit’s overpowering dominance in the scene.