Shloka 34

असम्बाधा हि सा पार्थ रम्या कामगमा सभा | दीर्घकालं तपस्तप्त्वा निर्मिता विश्वकर्मणा,कुन्तीनन्दन! वह सभा बाधारहित है। वह रमणीय तथा इच्छानुसार गमन करनेवाली है। विश्वकर्माने दीर्घनकालतक तपस्या करके उसका निर्माण किया है

asambādhā hi sā pārtha ramyā kāmagamā sabhā | dīrghakālaṃ tapastaptvā nirmitā viśvakarmaṇā ||

Nārada said: “O Pārtha, this assembly hall is truly unobstructed—spacious and free from hindrance. It is delightful, and one may move within it as one wishes. After performing austerities for a long time, Viśvakarman fashioned it.”

असम्बाधाunobstructed, spacious
असम्बाधा:
Karta
TypeAdjective
Rootअसम्बाध
FormFeminine, Nominative, Singular
हिindeed, for
हि:
TypeIndeclinable
Rootहि
साthat (she/it)
सा:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Singular
पार्थO Partha (Arjuna)
पार्थ:
TypeNoun
Rootपार्थ
FormMasculine, Vocative, Singular
रम्याlovely, delightful
रम्या:
Karta
TypeAdjective
Rootरम्य
FormFeminine, Nominative, Singular
कामगमाmoving as desired (at will)
कामगमा:
Karta
TypeAdjective
Rootकामगम
FormFeminine, Nominative, Singular
सभाassembly hall
सभा:
Karta
TypeNoun
Rootसभा
FormFeminine, Nominative, Singular
दीर्घकालम्for a long time
दीर्घकालम्:
Adhikarana
TypeNoun
Rootदीर्घकाल
FormMasculine, Accusative, Singular
तपःausterity, penance
तपः:
Karma
TypeNoun
Rootतपस्
FormNeuter, Accusative, Singular
तप्त्वाhaving performed (austerity)
तप्त्वा:
TypeVerb
Rootतप्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral here)
निर्मिताconstructed, made
निर्मिता:
TypeVerb
Rootनिर्मा (नि+√मा)
Formक्त (past passive participle), Feminine, Nominative, Singular
विश्वकर्मणाby Vishvakarman
विश्वकर्मणा:
Karana
TypeNoun
Rootविश्वकर्मन्
FormMasculine, Instrumental, Singular

नारद उवाच

N
Nārada
P
Pārtha (Arjuna)
V
Viśvakarman
S
Sabhā (the assembly hall)

Educational Q&A

The verse highlights that extraordinary achievements—even in worldly domains like royal architecture—are grounded in sustained discipline (tapas) and skilled craftsmanship. It also frames splendor as something earned through effort and divine artistry, not mere chance.

Nārada is describing the remarkable qualities of a royal assembly hall to Pārtha (Arjuna): it is spacious and unobstructed, pleasing to behold, and designed so that movement within it is effortless and according to one’s wish; it was constructed by Viśvakarman after long austerities.