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Shloka 24

Saṃśaptaka-Varūthinī Saṅgrāma — Binding and Counter-Binding (संशप्तक-वरूथिनी-संग्रामः)

ततो दुन्दुभिनिर्घोषो मृदज़ानां च सर्वश: । सिंहनाद: सवादित्र: कुछ्जराणां च नि:स्वन:

tato dundubhinirghoṣo mṛdaṅgānāṃ ca sarvaśaḥ | siṃhanādaḥ savāditraḥ kuñjarāṇāṃ ca niḥsvanaḥ ||

Then, on every side, the deep booming of kettledrums arose; drums were beaten, and along with the blare of instruments there resounded the lion-like battle-cries of the warriors and the trumpeting roar of the elephants. The scene signals the swelling momentum of war—an outward clamor that stirs courage and collective resolve, even as it foreshadows the grave moral weight of the violence about to unfold.

ततःthen/thereupon
ततः:
Adhikarana
TypeIndeclinable
Rootततः
Formindeclinable (ablatival adverb: 'from/then')
दुन्दुभि-निर्घोषःthe roar/sound of kettledrums
दुन्दुभि-निर्घोषः:
Karta
TypeNoun
Rootनिर्घोष
Formmasculine, nominative, singular
मृदङ्गानाम्of drums (mṛdaṅgas)
मृदङ्गानाम्:
Adhikarana
TypeNoun
Rootमृदङ्ग
Formmasculine, genitive, plural
and
:
TypeIndeclinable
Root
Formindeclinable
सर्वशःeverywhere/on all sides
सर्वशः:
Adhikarana
TypeIndeclinable
Rootसर्वशः
Formindeclinable
सिंह-नादःlion-roar (war-cry)
सिंह-नादः:
Karta
TypeNoun
Rootनाद
Formmasculine, nominative, singular
स-वादित्रःaccompanied by musical instruments
स-वादित्रः:
TypeAdjective
Rootवादित्र
Formmasculine, nominative, singular (agreeing with सिंहनादः)
कुञ्जराणाम्of elephants
कुञ्जराणाम्:
Adhikarana
TypeNoun
Rootकुञ्जर
Formmasculine, genitive, plural
and
:
TypeIndeclinable
Root
Formindeclinable
निःस्वनःresounding noise/trumpeting sound
निःस्वनः:
Karta
TypeNoun
Rootनिःस्वन
Formmasculine, nominative, singular

संजय उवाच

S
Sanjaya
D
dundubhi (war-drums)
M
mṛdaṅga (drums)
V
vāditra (musical/war instruments)
K
kuñjara (elephants)
S
siṃhanāda (war-cries)

Educational Q&A

The verse highlights how collective sound—drums, instruments, cries, and elephant-roars—can inflame martial spirit and unify an army. Ethically, it also hints at the paradox of war: inspiring displays of valor arise amid actions that carry heavy dharmic consequences.

Sanjaya describes the battlefield erupting in noise: kettledrums and mṛdaṅgas are sounded everywhere, instruments blare, warriors shout lion-like cries, and elephants trumpet—marking the surge toward imminent combat.