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Shloka 24

Droṇa-parva Adhyāya 49: Yudhiṣṭhira’s Lament and Strategic Foreboding after Abhimanyu’s Fall

रुक्मपुड्खैश्न सम्पूर्णा रुधिरौघपरिप्लुता । उत्तमान्जैश्व शूराणां भ्राजमानै: सकुण्डलै:,सुवर्णमय पंखवाले बाणोंसे वहाँकी भूमि भरी हुई थी। रक्तकी धाराओंमें डूबी हुई थी। शूरवीरोंके कुण्डल-मण्डित तेजस्वी मस्तकों, हाथियोंके विचित्र झूलों, पताकाओं, चामरों, हाथीकी पीठपर बिछाये जानेवाले कम्बलों, इधर-उधर पड़े हुए उत्तम वस्त्रों, हाथी, घोड़े और मनुष्योंके चमकीले आभूषणों, केंचुलसे निकले हुए सर्पोके समान पैने और पानीदार खड़गों, भाँति-भाँतिके कटे हुए धनुषों, शक्ति, ऋष्टि, प्रास, कम्पन तथा अन्य नाना प्रकारके आयुधोंसे आच्छादित हुई रणभूमिकी अद्भुत शोभा हो रही थी

sañjaya uvāca |

rukmapuṅkhaiś ca sampūrṇā rudhiraughapariplutā |

uttamāṅgaiś ca śūrāṇāṁ bhrājamānaiḥ sakuṇḍalaiḥ ||

Sañjaya said: The ground there was completely covered with arrows whose golden fletchings gleamed, and it was flooded with torrents of blood. It was strewn with the severed heads of heroic warriors, shining with their earrings—so that the battlefield, though dreadful in its violence, appeared with a grim, astonishing splendor.

रुक्मपुङ्खैःwith golden-feathered (arrows)
रुक्मपुङ्खैः:
Karana
TypeNoun
Rootरुक्म-पुङ्ख
FormMasculine, Instrumental, Plural
सम्पूर्णाcompletely filled
सम्पूर्णा:
Karta
TypeAdjective
Rootसम्पूर्ण
FormFeminine, Nominative, Singular
रुधिरौघपरिप्लुताflooded by streams of blood
रुधिरौघपरिप्लुता:
Karta
TypeAdjective
Rootरुधिर-ओघ-परिप्लुत
FormFeminine, Nominative, Singular
उत्तमान्excellent (ones)
उत्तमान्:
Karma
TypeAdjective
Rootउत्तम
FormMasculine, Accusative, Plural
जैःby which/with which
जैः:
Karana
TypePronoun
Rootयद् (य-प्रातिपदिक)
FormMasculine/Neuter, Instrumental, Plural
and
:
TypeIndeclinable
Root
शूराणाम्of heroes
शूराणाम्:
TypeNoun
Rootशूर
FormMasculine, Genitive, Plural
भ्राजमानैःshining, resplendent (with)
भ्राजमानैः:
Karana
TypeAdjective
Rootभ्राज् (धातु) → भ्राजमान (शतृ/शानच्)
FormMasculine/Neuter, Instrumental, Plural
सकुण्डलैःwith earrings
सकुण्डलैः:
Karana
TypeAdjective
Rootस-कुण्डल
FormMasculine/Neuter, Instrumental, Plural

संजय उवाच

S
Sañjaya
A
arrows (golden-fletched)
B
blood (torrents)
H
heads of heroes/warriors
E
earrings (kuṇḍala)
B
battlefield/ground

Educational Q&A

The verse highlights the moral paradox of war: what appears ‘splendid’ in martial terms (golden arrows, shining ornaments) is inseparable from horror (blood-flooded ground, severed heads). It invites reflection on the cost of violence and the fragility of worldly glory.

Sañjaya narrates to Dhṛtarāṣṭra the aftermath/scene of intense fighting: the battlefield is carpeted with golden-fletched arrows, drenched in blood, and littered with the earring-adorned heads of fallen heroes.