Shloka 12

सो5भिमन्युं त्रिभिर्बाणैरविंद्ध्वा वक्षस्यथानदत्‌ | त्रिभिश्ष दक्षिणे बाहौ सव्ये च निशितैस्त्रिभि:,उसने अभिमन्युकी छातीमें तीन बाण मारकर सिंहनाद किया। फिर तीन बाण दाहिनी और तीन तीखे बाण बायीं भुजामें मारे

so ’bhimanyuṁ tribhir bāṇair avindhya vakṣasy athānadat | tribhiś ca dakṣiṇe bāhau savye ca niśitais tribhiḥ ||

Sañjaya said: Having pierced Abhimanyu in the chest with three arrows, he roared aloud like a lion. Then he struck again—three arrows in the right arm and three sharp arrows in the left—pressing the assault in the ruthless momentum of battle.

सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
अभिमन्युम्Abhimanyu
अभिमन्युम्:
Karma
TypeNoun
Rootअभिमन्यु
FormMasculine, Accusative, Singular
त्रिभिःwith three
त्रिभिः:
Karana
TypeNumeral/Adjective
Rootत्रि
Form—, Instrumental, Plural
बाणैःarrows
बाणैः:
Karana
TypeNoun
Rootबाण
FormMasculine, Instrumental, Plural
अविध्यhaving pierced
अविध्य:
TypeVerb
Rootव्यध्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage)
वक्षसिin/on the chest
वक्षसि:
Adhikarana
TypeNoun
Rootवक्षस्
FormNeuter, Locative, Singular
अथthen
अथ:
TypeIndeclinable
Rootअथ
अनदत्roared
अनदत्:
TypeVerb
Rootनद्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
त्रिभिःwith three
त्रिभिः:
Karana
TypeNumeral/Adjective
Rootत्रि
Form—, Instrumental, Plural
and
:
TypeIndeclinable
Root
दक्षिणेin/on the right
दक्षिणे:
Adhikarana
TypeAdjective
Rootदक्षिण
FormMasculine, Locative, Singular
बाहौarm
बाहौ:
Adhikarana
TypeNoun
Rootबाहु
FormMasculine, Locative, Singular
सव्येin/on the left
सव्ये:
Adhikarana
TypeAdjective
Rootसव्य
FormMasculine, Locative, Singular
and
:
TypeIndeclinable
Root
निशितैःsharp
निशितैः:
Karana
TypeAdjective
Rootनिशित
FormMasculine, Instrumental, Plural
त्रिभिःwith three
त्रिभिः:
Karana
TypeNumeral/Adjective
Rootत्रि
Form—, Instrumental, Plural

संजय उवाच

S
Sañjaya
A
Abhimanyu
A
arrows
C
chest
R
right arm
L
left arm

Educational Q&A

The verse highlights the harsh reality of kṣatriya warfare: prowess and intimidation (the lion-roar) are used to break an opponent’s strength. Ethically, it underscores how battle can magnify aggression and pride, contrasting martial success with the tragic cost borne by even the most valiant.

In Sañjaya’s report of the Kurukṣetra war, an unnamed warrior strikes Abhimanyu: first three arrows to his chest, then three to his right arm and three sharp arrows to his left arm, while roaring in triumph to assert dominance.