Shloka 57

योगयुक्त महात्मानं गच्छन्तं परमां गतिम्‌ । अहं धनंजय: पार्थो कृप: शारद्वतस्तथा

yogayukta-mahātmānaṃ gacchantaṃ paramāṃ gatim | ahaṃ dhanaṃjayaḥ pārthaḥ kṛpaḥ śāradvatas tathā

Sañjaya said: “(We beheld) the great-souled one, disciplined in yoga, proceeding toward the highest state. There were also Dhananjaya—Partha (Arjuna)—and Kripa, the son of Sharadvat.”

योगयुक्तम्yoga-endowed, disciplined
योगयुक्तम्:
Karma
TypeAdjective
Rootयोगयुक्त
FormMasculine, Accusative, Singular
महात्मानम्the great-souled one
महात्मानम्:
Karma
TypeNoun
Rootमहात्मन्
FormMasculine, Accusative, Singular
गच्छन्तम्going, proceeding
गच्छन्तम्:
Karma
TypeVerb
Rootगम्
FormMasculine, Accusative, Singular, Present (Lat), Parasmaipada, Shatr (present active participle)
परमाम्supreme, highest
परमाम्:
Karma
TypeAdjective
Rootपरम
FormFeminine, Accusative, Singular
गतिम्course; destination; state
गतिम्:
Karma
TypeNoun
Rootगति
FormFeminine, Accusative, Singular
अहम्I
अहम्:
Karta
TypeNoun
Rootअहम्
Form—, Nominative, Singular
धनंजयःDhanañjaya (Arjuna)
धनंजयः:
Karta
TypeNoun
Rootधनंजय
FormMasculine, Nominative, Singular
पार्थःPārtha (son of Pṛthā; Arjuna)
पार्थः:
Karta
TypeNoun
Rootपार्थ
FormMasculine, Nominative, Singular
कृपःKṛpa
कृपः:
Karta
TypeNoun
Rootकृप
FormMasculine, Nominative, Singular
शारद्वतःŚāradvata (descendant of Śaradvat; i.e., Kṛpa)
शारद्वतः:
Karta
TypeNoun
Rootशारद्वत
FormMasculine, Nominative, Singular
तथाalso; likewise
तथा:
TypeIndeclinable
Rootतथा

संजय उवाच

S
Sanjaya
D
Dhananjaya (Arjuna)
P
Partha (Arjuna)
K
Kripa
S
Sharadvat

Educational Q&A

Even amid the violence and moral strain of war, the text highlights the ideal of inner discipline (yoga) and nobility of soul (mahātmā): the highest human aspiration is not merely victory but movement toward the “supreme goal” (paramā gati), implying spiritual fulfillment beyond worldly outcomes.

Sanjaya, reporting events to Dhritarashtra, describes a great-souled, yoga-disciplined figure advancing toward the highest state, and notes the presence of key warriors—Arjuna (Dhananjaya/Partha) and Kripa (son of Sharadvat)—situating the moment within the battlefield’s unfolding action and its moral-spiritual framing.