Previous Verse
Next Verse

Shloka 15

नारायणास्त्र-शमनं द्रौणि-प्रहारश्च

Pacification of the Nārāyaṇāstra and Drauni’s Renewed Assault

तत्पश्चात्‌ नकुलने शकुनिके बाणसहित धनुषको मुट्ठी पकड़नेकी जगहसे काट दिया और तुरंत ही उसकी ध्वजाको भी काटकर रथसे भूमिपर गिरा दिया ।। विशिखेन च तीक्ष्णेन पीतेन निशितेन च । ऊरू निर्भिद्य चैकेन नकुल: पाण्डुनन्दन:

tataḥ paścāt nakulaḥ pāṇḍunandanaḥ śakuneḥ bāṇasahitaṃ dhanuṣaḥ muṣṭhi-grahaṇa-sthānāt chittvā, kṣaṇenaiva tasya dhvajaṃ ca chittvā rathāt bhūmau pātayāmāsa | viśikhena ca tīkṣṇena pītena niśitena ca, ūrū nirbhidya caikena nakulaḥ pāṇḍunandanaḥ ||

Sañjaya said: Thereafter Nakula, the son of Pāṇḍu, struck Śakuni’s bow and severed it at the very grip where the hand holds it—arrow and all. In the same instant he also cut down Śakuni’s banner, casting it from the chariot to the ground. Then, with a single sharp, keen, yellow-hued arrow, Nakula pierced Śakuni’s thigh.

विशिखेनwith an arrow
विशिखेन:
Karana
TypeNoun
Rootविशिख
FormMasculine, Instrumental, Singular
and
:
TypeIndeclinable
Root
तीक्ष्णेनsharp
तीक्ष्णेन:
Karana
TypeAdjective
Rootतीक्ष्ण
FormMasculine, Instrumental, Singular
पीतेनyellow/golden
पीतेन:
Karana
TypeAdjective
Rootपीत
FormMasculine, Instrumental, Singular
निशितेनwhetted, keen-edged
निशितेन:
Karana
TypeAdjective
Rootनिशित
FormMasculine, Instrumental, Singular
and
:
TypeIndeclinable
Root
ऊरूthe two thighs
ऊरू:
Karma
TypeNoun
Rootऊरु
FormMasculine, Accusative, Dual
निर्भिद्यhaving pierced
निर्भिद्य:
TypeVerb
Rootनि-भिद्
FormAbsolutive (Gerund), Parasmaipada
and
:
TypeIndeclinable
Root
एकेनwith one (arrow)
एकेन:
Karana
TypeAdjective
Rootएक
FormMasculine, Instrumental, Singular
नकुलःNakula
नकुलः:
Karta
TypeNoun
Rootनकुल
FormMasculine, Nominative, Singular
पाण्डुनन्दनःson of Pandu
पाण्डुनन्दनः:
Karta
TypeNoun
Rootपाण्डु-नन्दन
FormMasculine, Nominative, Singular

संजय उवाच

S
Sanjaya
N
Nakula
S
Shakuni
B
bow (dhanuḥ)
A
arrow (bāṇa/viśikha)
B
banner/standard (dhvaja)
C
chariot (ratha)
T
thigh (ūru)

Educational Q&A

The verse highlights how, in the Mahābhārata’s war ethic, prowess is not merely about killing but about decisive disabling and symbolic defeat (cutting the bow and banner). It also reflects the grim moral atmosphere of Kurukṣetra: even when fighting a figure associated with deceit (Śakuni), victory is pursued through disciplined precision rather than uncontrolled rage.

Sanjaya reports that Nakula disables Śakuni by cutting his bow at the grip, then fells his chariot-banner to the ground, and finally pierces Śakuni’s thigh with a single sharp arrow—an act that both injures and publicly diminishes Śakuni’s standing on the battlefield.