Shloka 15

सहिता: संन्यवर्तन्त द्रोणमेव द्विजर्षभम्‌ । इसी प्रकार पाण्डव-सेनाके अन्य महारथी वीर पुरुषसिंह भी एक साथ द्विजदश्रेष्ठ ट्रोणाचार्ुकी ओर ही लौट आये ।। १४ $ ।। तेषु शूरेषु युद्धाय गतेषु भरतर्षभ

sahitāḥ saṃnyavartanta droṇam eva dvijarṣabham | teṣu śūreṣu yuddhāya gateṣu bharatarṣabha

Sañjaya said: United together, they turned back—toward Droṇa alone, the bull among Brahmins. And when those heroes had gone forth for battle, O best of the Bharatas, events moved toward a decisive confrontation centered on Droṇa.

सहिताḥtogether, united
सहिताḥ:
Karta
TypeAdjective
Rootसहित
FormMasculine, Nominative, Plural
संन्यवर्तन्तthey turned back/returned
संन्यवर्तन्त:
Karta
TypeVerb
Rootसम्-नि-वृत्
FormImperfect (Laṅ), 3rd, Plural, Ātmanepada
द्रोणम्Drona
द्रोणम्:
Karma
TypeNoun
Rootद्रोण
FormMasculine, Accusative, Singular
एवindeed/only
एव:
TypeIndeclinable
Rootएव
द्विजर्षभम्the bull among twice-born (best of Brahmins)
द्विजर्षभम्:
Karma
TypeNoun
Rootद्विजर्षभ
FormMasculine, Accusative, Singular
तेषुamong them/in them
तेषु:
Adhikarana
TypePronoun
Rootतद्
FormMasculine/Neuter, Locative, Plural
शूरेषुamong the heroes
शूरेषु:
Adhikarana
TypeNoun
Rootशूर
FormMasculine, Locative, Plural
युद्धायfor battle
युद्धाय:
Sampradana
TypeNoun
Rootयुद्ध
FormNeuter, Dative, Singular
गतेषुhaving gone (when they had gone)
गतेषु:
Adhikarana
TypeAdjective
Rootगम् (गत)
FormMasculine/Neuter, Locative, Plural, Past passive participle (क्त)
भरतर्षभO bull among the Bharatas
भरतर्षभ:
TypeNoun
Rootभरतर्षभ
FormMasculine, Vocative, Singular

संजय उवाच

S
Sañjaya
D
Droṇa (Droṇācārya)
P
Pāṇḍava warriors (collective)
D
Dhṛtarāṣṭra (implied by address 'bharatarṣabha')

Educational Q&A

The verse highlights how a single pivotal leader can become the focal point of an entire battle: the foremost warriors reorient their movement and intent around Droṇa. Ethically, it underscores the gravity of martial duty (kṣatriya-dharma) when directed toward a central, formidable opponent, and how collective resolve forms around decisive targets in war.

Sañjaya reports that the warriors, acting together, turn back toward Droṇa, described as the foremost among the twice-born. The second half sets the scene: as those heroes proceed to fight, the narrative transitions into a battle phase in which Droṇa becomes the central figure drawing the engagement.