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Shloka 34

भीष्मरक्षण-उद्योगः, शिखण्डि-विवर्जनं, सर्वतोभद्र-व्यूहः

Protection of Bhīṣma, Exemption of Śikhaṇḍin, and the Sarvatobhadra Array

बाह्लीकं च त्रिभिणि: प्रत्यविध्यत्‌ स्तनान्तरे । कृपमेकेन विव्याध चित्रसेनं त्रिभि: शरै:,तत्पश्चात्‌ तीन बाणोंसे बाह्नीककी छातीमें गहरी चोट पहुँचायी। एक बाणसे कृपाचार्यको और तीनसे चित्रसेनको भी बींध डाला

bāhlīkaṃ ca tribhiḥ pratyavidhyat stanāntare | kṛpam ekena vivyādha citrasenaṃ tribhiḥ śaraiḥ |

Sañjaya said: He struck Bāhlīka with three arrows in the region of the chest, piercing him deeply. Then, with a single arrow he wounded Kṛpa, and with three arrows he also pierced Citrasena—an unbroken sequence of precise blows amid the chaos of battle.

बाह्लीकम्Bāhlīka (name of a warrior)
बाह्लीकम्:
Karma
TypeNoun
Rootबाह्लीक
FormMasculine, Accusative, Singular
and
:
TypeIndeclinable
Root
त्रिभिःwith three
त्रिभिः:
Karana
TypeNumeral/Adjective
Rootत्रि
FormMasculine/Neuter, Instrumental, Plural
प्रत्यविध्यत्pierced/struck through
प्रत्यविध्यत्:
TypeVerb
Rootव्यध्
FormImperfect, 3, Singular, Parasmaipada, Active, प्रति,अव
स्तनान्तरेin the space between the breasts (in the chest)
स्तनान्तरे:
Adhikarana
TypeNoun
Rootस्तन-अन्तर
FormNeuter, Locative, Singular
कृपम्Kṛpa (Kripācārya)
कृपम्:
Karma
TypeNoun
Rootकृप
FormMasculine, Accusative, Singular
एकेनwith one
एकेन:
Karana
TypeNumeral/Adjective
Rootएक
FormMasculine/Neuter, Instrumental, Singular
विव्याधpierced
विव्याध:
TypeVerb
Rootव्यध्
FormPerfect, 3, Singular, Parasmaipada, Active, वि
चित्रसेनम्Citraseṇa (name of a warrior)
चित्रसेनम्:
Karma
TypeNoun
Rootचित्रसेन
FormMasculine, Accusative, Singular
त्रिभिःwith three
त्रिभिः:
Karana
TypeNumeral/Adjective
Rootत्रि
FormMasculine/Neuter, Instrumental, Plural
शरैःwith arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural

संजय उवाच

S
Sañjaya
B
Bāhlīka
K
Kṛpa (Kṛpācārya)
C
Citrasena
A
arrows (śara)

Educational Q&A

The verse highlights the battlefield ethic of kṣatriya conduct: skill and decisiveness are shown through precise, proportionate strikes against armed opponents. It implicitly contrasts disciplined martial action with uncontrolled cruelty, reminding the listener that even in war, action is expected to follow a code of restraint and competence.

Sañjaya reports a rapid sequence of attacks: a warrior pierces Bāhlīka in the chest with three arrows, then wounds Kṛpa with one arrow, and finally pierces Citrasena with three arrows, indicating momentum and superior archery in the ongoing battle.