Shloka 25
Dhṛtarāṣṭra’s Anxiety and Bhīṣma’s Theological Explanation of Pāṇḍava Invincibility
Book 6, Chapter 61
शक्तिभि: कवचैश्षित्रै: कणपैरड्कुशैरपि । निस्त्रिंशैर्विमलै श्वापि स्वर्णपुड्खै: शरैस्तथा,भरतश्रेष्ठ! वहाँ इधर-उधर गिरे हुए ध्वज, धनुष, तोमर, प्रास, गदा, परिघ, कम्पन, शक्ति, विचित्र कवच, कणप, अंकुश, चमचमाते हुए खड्ग, सुवर्णमय पाँखवाले बाण, शूल, गद्दी और बहुमूल्य कम्बलोंद्वारा आच्छादित हुई वहाँकी भूमि भाँति-भाँतिके पुष्पहारोंसे चित्रित हुई-सी जान पड़ती थी
sañjaya uvāca |
śaktibhiḥ kavacaiś citraiḥ kaṇapair aṅkuśair api |
nistriṁśair vimalaiḥ śūlaiḥ svarṇapuṅkhaiḥ śarais tathā ||
Sañjaya said: The ground there appeared as though patterned with garlands of many kinds, being strewn on all sides with fallen weapons and war-gear—javelins, ornate cuirasses, quivers and goads, gleaming swords, spears, and arrows with golden fletching. The scene underscores the moral weight of battle: human skill and valor culminate in a field carpeted by instruments of harm, reminding the listener of war’s costly aftermath even amid heroic display.
संजय उवाच
Educational Q&A
The verse offers a sobering ethical undertone through vivid description: glory in war is inseparable from destruction. By portraying the earth covered with weapons and armor like decorative garlands, it highlights how human conflict aestheticizes violence while leaving a tangible, costly residue.
Sañjaya is reporting to Dhṛtarāṣṭra the state of the battlefield: weapons, armor, quivers, goads, swords, spears, and gold-fletched arrows lie scattered everywhere, making the ground look richly patterned.