Shloka 47

सभापर्व ततः प्रोक्त मन्त्रपर्व ततः परम्‌ । जरासन्धवध: पर्व पर्व दिग्विजयं तथा,इसके बाद क्रमश: सभापर्व, मन्त्रपर्व, जरासन्ध-वधपर्व और दिग्विजयपर्वका प्रवचन है

sabhāparva tataḥ proktaṃ mantraparva tataḥ param | jarāsandhavadhaḥ parva parva digvijayaṃ tathā ||

Thereafter the Sabhā Parva is recounted; next comes the Mantra Parva. Then follow the section on the slaying of Jarāsandha, and likewise the Digvijaya Parva—thus the narrative proceeds in orderly sequence.

सभापर्वthe Sabhā-parvan (Book of the Assembly Hall)
सभापर्व:
Karta
TypeNoun
Rootसभापर्वन्
FormNeuter, Nominative, Singular
ततःthen/thereafter
ततः:
TypeIndeclinable
Rootततः
प्रोक्तम्is declared/has been told
प्रोक्तम्:
TypeVerb
Rootप्र-वच्
FormNeuter, Nominative, Singular, kta (past passive participle)
मन्त्रपर्वthe Mantra-parvan (Book of Counsel/Plans)
मन्त्रपर्व:
Karta
TypeNoun
Rootमन्त्रपर्वन्
FormNeuter, Nominative, Singular
ततःthen/thereafter
ततः:
TypeIndeclinable
Rootततः
परम्next/further
परम्:
TypeAdjective
Rootपर
FormNeuter, Nominative, Singular
जरासन्धवधःthe slaying of Jarāsandha
जरासन्धवधः:
Karta
TypeNoun
Rootजरासन्धवध
FormMasculine, Nominative, Singular
पर्वthe parvan/book section
पर्व:
Karta
TypeNoun
Rootपर्वन्
FormNeuter, Nominative, Singular
पर्वthe parvan/book section
पर्व:
Karta
TypeNoun
Rootपर्वन्
FormNeuter, Nominative, Singular
दिग्विजयम्conquest of the quarters (digvijaya)
दिग्विजयम्:
Karma
TypeNoun
Rootदिग्विजय
FormMasculine, Accusative, Singular
तथाand likewise/also
तथा:
TypeIndeclinable
Rootतथा

राम उवाच

S
Sabhā Parva
M
Mantra Parva
J
Jarāsandha
D
Digvijaya Parva

Educational Q&A

The verse emphasizes orderly transmission of tradition: the epic is presented in a structured sequence of parvas. Ethically, it signals that political power (assembly, counsel, conquest) must be understood as a progression with consequences—decisions in court and counsel lead to acts of force, which in turn shape dharma and social order.

The speaker is listing the upcoming sections of the Mahābhārata in sequence: Sabhā Parva, then Mantra Parva, then the parva describing Jarāsandha’s death, and then the Digvijaya (campaign of conquest). It functions as a table-of-contents style transition within the narration.