देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
निवृत्तः संवृतः शिल्पो व्यूढोरस्को महाभुजः एकज्योतिर् निरातङ्को नरो नारायणप्रियः
nivṛttaḥ saṃvṛtaḥ śilpo vyūḍhorasko mahābhujaḥ ekajyotir nirātaṅko naro nārāyaṇapriyaḥ
He is Nivṛtta, withdrawn beyond the world’s turning; the self-contained and veiled Lord; the master of sacred arts; broad-chested and mighty-armed. He is the single, undivided Light, free from affliction and fear; the divine Person dear to Nārāyaṇa, revealing the oneness of Pati (Śiva) with the supreme Reality revered by all.
Suta Goswami (narrating Shiva’s epithets to the sages of Naimisharanya)
By calling Shiva “ekajyotiḥ” (the single Light), the verse points to the Linga as the sign of the formless, undivided Pati—worshipped as the luminous source beyond name and form, who grants release to the paśu from pāśa.
Shiva-tattva is presented as inwardly withdrawn (nivṛtta), self-contained and subtly veiled (saṃvṛta), yet the supreme Person (nara) whose essence is one non-dual radiance (ekajyotiḥ) and who is utterly untouched by fear or affliction (nirātaṅka).
The epithets “nivṛtta” and “ekajyotiḥ” support Pāśupata-style interiorization: turning the mind away from sense-bondage (pāśa) and meditating on Shiva as the single inner Light while maintaining steady devotion through Linga-pūjā.