प्रलय-तत्त्वलयः, नीललोहित-रुद्रः, अष्टमूर्तिस्तवः, एवं ब्रह्मणो वैराग्यम्
एवं परार्धे विप्रेन्द्र द्विगुणे तु तथा गते तदा धराम्भसि व्याप्ता ह्य् आपो वह्नौ समीरणे
evaṃ parārdhe viprendra dviguṇe tu tathā gate tadā dharāmbhasi vyāptā hy āpo vahnau samīraṇe
Thus, O best of Brahmins, when that supreme span of time had passed and then doubled as well, the earth became pervaded by water; those waters, in turn, were absorbed into fire, and fire into the wind—showing the ordered withdrawal of the elements as the cosmos returns toward the Lord Pati (Śiva) beyond the bonds of manifestation.
Suta Goswami (narrating to the sages at Naimisharanya)
It frames Linga worship as devotion to Pati (Shiva) who remains when the elements withdraw—earth, water, fire, and wind dissolve back from gross to subtle, while the Linga signifies the transcendent ground beyond dissolution.
By describing the ordered reabsorption of the elements, it implies Shiva-tattva as the stable, all-pervading reality into which manifest tattvas subside—Pati untouched by the pasha of material transformation.
It aligns with Pashupata-style inner withdrawal (tattva-laya): turning attention from gross supports (bhutas) toward the subtle and ultimately toward Shiva, the Lord of laya and anugraha.