दारुवनलीला—नीललोहितपरीक्षा, ब्रह्मोपदेशः, अतिथिधर्मः, संन्यासक्रमः
वनोटजद्वारगताश् च नार्यो विस्रस्तवस्त्राभरणा विचेष्टाः लब्ध्वा स्मितं तस्य मुखारविन्दाद् द्रुमालयस्थास् तम् अथान्वयुस्ताः
vanoṭajadvāragatāś ca nāryo visrastavastrābharaṇā viceṣṭāḥ labdhvā smitaṃ tasya mukhāravindād drumālayasthās tam athānvayustāḥ
And the women standing at the doorways of the forest-huts—their garments and ornaments slipping, their composure overturned—having received but a smile from his lotus-like face, those who dwelt amid the trees then followed after him.
Suta Goswami (narrating to the sages of Naimisharanya)
It highlights that mere outer ritual status or social identity cannot shield the pashu (bound soul) from māyā; true approach to the Liṅga—Shiva as Pati—requires inner steadiness beyond sensory fascination.
Shiva appears as the sovereign Pati whose presence effortlessly stirs the mind; his smile symbolizes the activating power of consciousness that exposes bondage (pāśa) and compels beings to move toward or away from liberation.
The implied teaching is vairāgya and sense-restraint central to Pāśupata-oriented discipline: recognizing agitation as pāśa and turning the mind from fascination to Shiva-centered awareness (smaraṇa/dhyāna).