Ratna-parīkṣā: Vajra (Diamond/Thunderbolt) — Origin, Types, Testing, Defects, Weights, and Royal Auspiciousness
हरितसितपीतपिङ्गश्यामास्ताम्राः स्वभावतो रुचिराः / हरिवरुणशक्रहुतवहपितृपतिमरुतां स्वका वर्णाः
haritasitapītapiṅgaśyāmāstāmrāḥ svabhāvato rucirāḥ / harivaruṇaśakrahutavahapitṛpatimarutāṃ svakā varṇāḥ
Green, white, yellow, tawny, dark, and coppery hues are naturally beautiful. These are the respective inherent colors of Hari (Viṣṇu), Varuṇa, Śakra (Indra), Hutavaha (Agni), Pitṛpati (Yama), and the Maruts.
Lord Vishnu (speaking to Garuda/Vinatā-putra)
Concept: Deva-sambandha through varṇa: contemplating divine attributes via their ‘svaka varṇa’ fosters remembrance and correct association.
Vedantic Theme: Īśvara-vibhūti and upāsanā: approaching the divine through symbolic attributes; saguna contemplation as a support.
Application: Use color as a mnemonic for deity-invocation: green for Hari, white for Varuṇa, yellow for Śakra, tawny for Agni, dark for Yama, copper for Maruts—especially when selecting/using a vajra or in visualization.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.68.20 (classification by color)
This verse assigns ‘inherent’ hues to major deities, using color as a symbolic marker to identify divine functions and cosmic roles (protection, waters, rulership, fire/ritual, justice/death, winds).
By naming Pitṛpati (Yama) alongside other devas, it situates the lord of death within the same ordered cosmos—supporting the text’s wider concern with dharma, judgment, and the moral structure governing life and afterlife.
Use it as a contemplative aid in japa or pūjā—remembering that each divine force has a distinct role—encouraging ethical living (dharma) and reverence for ritual order (especially Agni and Yama-related disciplines).