Devatā-Pratiṣṭhā: Maṇḍapa Construction, Dikpāla Worship, Kalaśa-Abhiṣeka, Nyāsa and Homa Procedures
मूर्धाभव तथा मूर्ध्नि आलग्नाद्धोममाचरेत् / उत्था पयेत्ततो देवमुत्तिष्ठब्रह्मणस्पते !
mūrdhābhava tathā mūrdhni ālagnāddhomamācaret / utthā payettato devamuttiṣṭhabrahmaṇaspate !
Having placed (the nyāsa) upon the crown of the head, and when it is fixed there, one should perform the fire-offering (homa). Then one should rouse the deity with the invocation: “Arise, O Lord of Brahman (Bṛhaspati)!”
Lord Vishnu (in discourse to Garuda/Vinata-putra)
Concept: Prāṇa-pratiṣṭhā sequence: crown-nyāsa followed by homa, then āvāhana/utthāpana—rousing the deity through mantra.
Vedantic Theme: Kriyā as mind-purifier: disciplined ritual action (homa) supports inner awakening and steadiness (antaḥkaraṇa-śuddhi).
Application: Complete nyāsa before homa; keep the invocation crisp; treat the ‘utthiṣṭha’ call as a transition from preparation to active worship.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.48.90-91 (circumambulation, piṇḍikā, dikpāla arrangement, installation)
This verse frames the invocation as a ritual ‘awakening’ of the deity connected with sacred prayer/speech, marking the homa as properly commenced and empowered by mantra.
Indirectly: it emphasizes correct ritual performance (homa and mantra) as part of dharmic observance, which the Garuda Purana links to auspicious outcomes and spiritual support in transitional states.
If performing Vedic-style rites, prioritize precise mantra recitation and orderly procedure; more broadly, treat prayer and disciplined practice as the ‘ignition’ that makes spiritual actions effective.