Devatā-Pratiṣṭhā: Maṇḍapa Construction, Dikpāla Worship, Kalaśa-Abhiṣeka, Nyāsa and Homa Procedures
एवं होमविधिं कृत्वा न्यसेन्मन्त्रांस्तु देशिकः / चरणावग्निमीऌए तु इषेत्वो गुल्फयोः स्थिताः
evaṃ homavidhiṃ kṛtvā nyasenmantrāṃstu deśikaḥ / caraṇāvagnimīḷe tu iṣetvo gulphayoḥ sthitāḥ
Thus, having performed the prescribed homa rite, the officiating teacher (deśika) should enact nyāsa, placing the mantras upon the body: upon the feet, “agnim īḷe”; and upon the ankles, “iṣetva”, established there.
Lord Viṣṇu (in discourse to Garuḍa / Vinatā-putra)
Concept: Nyāsa after homa: the ācārya installs specific mantras on specific limbs (feet: ‘agnim īḷe’; ankles: ‘iṣetva’), integrating Vedic mantra with embodied practice.
Vedantic Theme: Śabda as transformative power when properly ‘placed’ (viniyoga); disciplined action refines the instrument (body-mind) for higher pursuit.
Application: In mantra practice, pair recitation with mindful somatic anchoring (touch/attention to loci) to cultivate steadiness and continuity of remembrance in daily movement.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: body geography (aṅga-nyāsa points)
Related Themes: Garuda Purana 1.48.86 (post-homa nyāsa; specific mantra-to-limb mapping); Garuda Purana 1.48.83-85 (homa sequence; mantra options; ācārya role)
This verse shows nyāsa as a post-homa consecration step—placing specific Vedic mantra-phrases on body parts to ritually purify and sacralize the practitioner.
Indirectly: by emphasizing correct ritual purification (homa and nyāsa), it supports the dhārmic preparation that the Garuda Purana links with auspicious outcomes and spiritual steadiness.
Perform sacred rites with precision and mindfulness; even outside full Vedic ritual, the principle is disciplined purification—aligning body, speech, and intent before spiritual practice.