Śālagrāma-lakṣaṇa: Viṣṇu Stotra, Vyūha/Avatāra Identification, and Temple-Fruition
नानावर्णो ऽनेकमूर्तिर्नागभोगी (त्वनन्तकः) / स्थूलो (दामोदरो) नीलो मध्येवक्रः सुनीलकः
nānāvarṇo 'nekamūrtirnāgabhogī (tvanantakaḥ) / sthūlo (dāmodaro) nīlo madhyevakraḥ sunīlakaḥ
He is of many hues and of manifold forms; He bears the serpent as His couch (Anantaka). Mighty and full-bodied (Dāmodara), He is dark-blue in complexion, with a gentle curve at the waist, and radiant with deep sapphire-blue splendor.
Lord Vishnu (descriptive eulogy within the Vishnu–Garuda dialogue)
Concept: Smरण/ध्यान through nāma–rūpa: contemplating the Lord’s forms (Ananta, Dāmodara) and qualities as a protective, purifying act.
Vedantic Theme: Saguna-brahman upāsanā leading the mind toward śānti and one-pointedness (ekāgratā).
Application: Use the epithets as a dhyāna-krama: visualize Ananta-śayana and repeat the names during japa for steadiness and fear-reduction.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.45 (protective/mark-description sequence around śālagrāma/dvārakā and Vishnu-nāma)
This verse emphasizes Viṣṇu’s all-pervading nature—appearing in countless forms and attributes—supporting devotional remembrance through recognizable epithets like Anantaka and Dāmodara.
Indirectly, it anchors the teaching in devotion to Viṣṇu: remembering and praising the Lord through nāma and rūpa is presented as a stabilizing spiritual practice amid teachings on death, afterlife, and liberation found in the Garuḍa Purāṇa.
Use the epithets here as a daily nāma-smaraṇa practice—recite and contemplate these qualities (many-formed, Ananta-supported, blue-hued) to cultivate steadiness, devotion, and ethical clarity.