Nāmāṣṭottara-dviśata: Gaṇa–Chandas–Yati Catalogue and Mnemonic Coding
माणवकं भात्तलगा म्नौ गौ हंसरुतं स्मृतम् / समानिका रजगला जरला गः प्रमाणिका / आभ्यामन्यद्वितानं स्यादनुष्टुप्छन्द ईरितम्
māṇavakaṃ bhāttalagā mnau gau haṃsarutaṃ smṛtam / samānikā rajagalā jaralā gaḥ pramāṇikā / ābhyāmanyadvitānaṃ syādanuṣṭupchanda īritam
The forms called Māṇavaka and Bhāttalagā are taught; likewise the patterns named Mnau, Gau, and Haṃsaruta are remembered. Also (there are) Samānikā, Rajagalā, Jaralā, and Pramāṇikā. Any other extended variant derived from these is declared to belong to the Anuṣṭubh metre.
Lord Vishnu (teaching Garuda/Vinata-putra)
Concept: Named patterns (Māṇavaka, Bhāttalagā, etc.) and their variants are classified under Anuṣṭubh; rule-based inclusion of derived forms.
Vedantic Theme: Generalization from particulars (sāmānya) and rule-governed order—how knowledge is stabilized by lakṣaṇa and anvaya.
Application: When encountering variant/expanded patterns derived from these, classify and recite them as Anuṣṭubh; useful for editors, chanters, and poets.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Related Themes: Garuda Purana 1.209 (Anuṣṭubh classification and related gaṇa-pattern lists)
This verse classifies multiple named variants as belonging to Anuṣṭubh, showing how the Purana standardizes recitation and metrical identification for accurate transmission.
It does not discuss the soul’s journey here; instead, it provides a technical prosody note—how to recognize and group certain verse-forms under the Anuṣṭubh metre used widely in Purāṇic narration.
Use it to chant and scan verses correctly: when a shloka fits these named patterns or their extensions, treat it as Anuṣṭubh for rhythm, memorization, and faithful recitation.