Nāmāṣṭottara-dviśata: Gaṇa–Chandas–Yati Catalogue and Mnemonic Coding
छन्दो ह्यतिधृतिः प्रोक्तमत ऊर्ध्वं कृतिर्भवेत् / सप्ताश्वर्तुः सुवदना भ्रौ मनौ यभला गुरुः
chando hyatidhṛtiḥ proktamata ūrdhvaṃ kṛtirbhavet / saptāśvartuḥ suvadanā bhrau manau yabhalā guruḥ
In prosody, this metre is said to be Atidhṛti; above it comes Kṛti. Its pattern is “seven horses” (the syllabic count), the “beautiful-faced” arrangement; in the two pādas the sequence is “ya-bha-la,” and the closing syllable is heavy, that is, guru.
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Hierarchical classification of metres and precise rule-giving for their syllabic/gaṇa structure.
Vedantic Theme: Rule-governed speech as a support for clarity (sattva) and transmission; śabda as a disciplined pramāṇa.
Application: When scanning/composing Atidhṛti/Kṛti, apply the stated gaṇa sequence (ya-bha-la) in the pādas and ensure the cadence ends in guru (heavy syllable).
Primary Rasa: shanta
Secondary Rasa: adbhuta
Related Themes: Garuda Purana 1.209.31–33 (preceding metre lists and gaṇa markers); Atidhṛti/Kṛti definitions within the same chandas section
This verse shows that the text preserves formal prosodic rules—naming metres like Atidhṛti and Kṛti and indicating gaṇa patterns—helping correct recitation and transmission.
It identifies the metre (Atidhṛti, then Kṛti) and gives its technical markers: a seven-count mnemonic and a gaṇa sequence ‘ya-bha-la’ with a guru (heavy) ending.
Use the gaṇa and guru/laghu cues to scan the verse correctly, aiding accurate chanting, memorization, and reliable digital annotation of Garuda Purana metres.