Shloka 28

Nāmāṣṭottara-dviśata: Gaṇa–Chandas–Yati Catalogue and Mnemonic Coding

स्वरात्खं वृषभगजजृम्भितं भ्रनना नगौ / नजभजरा वाणिनी गः पिङ्गलेनाष्टिरीरिता

svarātkhaṃ vṛṣabhagajajṛmbhitaṃ bhrananā nagau / najabhajarā vāṇinī gaḥ piṅgalenāṣṭirīritā

This mystic syllabic sequence—beginning with “svarāt-khaṃ” and including sounds such as “vṛṣabha”, “gaja”, and “jṛmbhita”—is taught as a measured phonetic formula; thus Piṅgala explains the utterance (vāṇī) in an eightfold manner.

स्वरात्from svara (sound/tone)
स्वरात्:
Apadana (Source/अपादान)
TypeNoun
Rootस्वर (प्रातिपदिक)
Formपुंलिङ्गे पञ्चमी एकवचनम् (ablative)
खम्kha (space/sky; here a term)
खम्:
Karma (Object/कर्म)
TypeNoun
Rootख (प्रातिपदिक)
Formनपुंसकलिङ्गे प्रथमा/द्वितीया एकवचनम्
वृषभगजजृम्भितम्(a metre) Vṛṣabhagajajṛmbhita
वृषभगजजृम्भितम्:
Karta (Subject/कर्ता)
TypeNoun
Rootवृषभ+गज+जृम्भित (प्रातिपदिके)
Formतत्पुरुषसमासः (वृषभ-गज-जृम्भितम्); नपुंसकलिङ्गे प्रथमा/द्वितीया एकवचनम्
भ्रनना(a metre) Bhranānā
भ्रनना:
Karta (Subject/कर्ता)
TypeNoun
Rootभ्रनना (प्रातिपदिक)
Formस्त्रीलिङ्गे प्रथमा एकवचनम् (छन्दोनाम)
नगौ(metre-gana) na-gau
नगौ:
Karta (Subject/कर्ता)
TypeNoun
Rootनगौ (प्रातिपदिक)
Formद्विवचनान्त-रूपम्; पुंलिङ्गे प्रथमा/द्वितीया द्विवचनम् (छन्दोगणनाम)
नजभजरा(a metre) Najabhajarā
नजभजरा:
Karta (Subject/कर्ता)
TypeNoun
Rootनज+भजरा (प्रातिपदिके)
Formद्वन्द्वसमासः (नज + भजरा); स्त्रीलिङ्गे प्रथमा एकवचनम्
वाणिनी(a metre) Vāṇinī
वाणिनी:
Karta (Subject/कर्ता)
TypeNoun
Rootवाणिनी (प्रातिपदिक)
Formस्त्रीलिङ्गे प्रथमा एकवचनम्
गःga (a metrical unit/name)
गः:
Karta (Subject/कर्ता)
TypeNoun
Rootग (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा एकवचनम्
पिङ्गलेनby Piṅgala
पिङ्गलेन:
Karana (Instrument/करण)
TypeNoun
Rootपिङ्गल (प्रातिपदिक)
Formपुंलिङ्गे तृतीया एकवचनम्
अष्टिःAṣṭi (name of a metre)
अष्टिः:
Karta (Subject/कर्ता)
TypeNoun
Rootअष्टि (प्रातिपदिक)
Formस्त्रीलिङ्गे प्रथमा एकवचनम्
ईरिताdeclared / stated
ईरिता:
Kriya (Predicate/क्रियाविशेषण-भाव)
TypeAdjective
Rootईर् (धातु)
Formक्त-प्रत्ययान्त कृदन्तः (past passive participle); स्त्रीलिङ्गे प्रथमा एकवचनम्

Lord Vishnu (in dialogue instruction to Garuda, citing Piṅgala)

Concept: Phonetic/metrical formulae (gaṇa strings) are systematically taught; tradition (ācārya-paramparā) validates and clarifies arcane sequences.

Vedantic Theme: Āgama/paramparā as a vehicle of reliable knowledge; order (niyama) transforms raw sound into meaningful śabda.

Application: Use Piṅgala-style eightfold parsing to teach students scansion; apply as a method to decode mnemonic strings into metrical structure.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Related Themes: Garuda Purana 1.209.28 (Piṅgala and eightfold explanation); Piṅgala Chandaḥśāstra (aṣṭa-prakāra/gaṇa-based pedagogy; broad parallel)

V
Vishnu
G
Garuda
P
Piṅgala

FAQs

This verse frames speech/utterance as an ordered, teachable system; in ritual contexts, correct sound-patterns are treated as essential for the intended spiritual efficacy.

By presenting an ‘eightfold’ explained method of utterance attributed to Piṅgala, it supports the idea that recitation is not casual but governed by specific phonetic groupings used in rites and readings.

When chanting or reading sacred texts, learn proper pronunciation (IAST/teacher-guided), keep steady rhythm, and avoid careless sound substitutions—treat recitation as disciplined practice.