Āryā-Chandas Lakṣaṇa; Gīti-Bheda; Vaitālīya-Vaktra; Mātrā-to-Varṇa Transition
ग्मध्ये द्वितुर्यौ जौ चपला मुखपूर्वादिचापला / द्वितीयार्धे सजघना आर्याजातेश्च लक्षणम्
gmadhye dvituryau jau capalā mukhapūrvādicāpalā / dvitīyārdhe sajaghanā āryājāteśca lakṣaṇam
When, in the middle, there are two turyās and two ja-groups, the (gāthā/āryā) metre is called Capalā (“swift”). If the second half bears the mark of sajaghanā (a prominent hip-region), that is the defining sign of the Āryā-jāti (Āryā metre-class).
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Lakṣaṇa (defining marks) and bheda (classification) of Āryā-jāti and capalā by internal gaṇa/mātrā structure.
Vedantic Theme: Viveka (discernment) through precise definition; śāstra as pramāṇa for ordered knowledge.
Application: Use the stated markers (turyas, ja-groups, second-half feature) to identify and compose Āryā-jāti/capalā verses accurately.
Primary Rasa: shanta
Related Themes: Garuda Purana 1.208.4-7 (continuation of Āryā-jāti subtypes and lakṣaṇas)
This verse gives a technical definition used to classify verses by metre (āryā-jāti), helping preserve correct recitation, transmission, and textual accuracy.
It does not discuss afterlife doctrine here; instead, it shifts to a technical, instructional section on metrical classification (chandas) within the text’s broader encyclopedic scope.
Use these markers (turyā/ja-gaṇa placement and second-half structure) to verify metre while chanting or editing manuscripts, improving pronunciation rhythm and reducing textual corruption.