ह्रीङ्का रश्च शिवः शूले त्रिशाखे तु क्रमान्न्यसेत् / ॐ ह्रीं ह्रीं
hrīṅkā raśca śivaḥ śūle triśākhe tu kramānnyaset / oṃ hrīṃ hrīṃ
Then, in due sequence, one should place the syllable ‘Hrīṁ’ and invoke Śiva upon the trident with three prongs, uttering: ‘Oṁ hrīṁ hrīṁ.’
Lord Vishnu (in instruction to Garuda)
Concept: Deity-presence is invoked through sound and placement: Hrīṁ with Śiva on the three-pronged trident; mantra and icon mutually reinforce devotion and protection.
Vedantic Theme: Saguna-upāsanā: focusing mind via symbol (triśūla) and bīja to steady awareness.
Application: For devotional practice, pair japa with a concrete focus (mūrti/āyudha symbol) and consistent sequence; keep pronunciation steady and intention pure.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: ritual space (mantra-nyāsa setting)
Related Themes: Garuda Purana: general use of Viṣṇu/Śiva-related protective invocations in ancillary ritual passages (conceptual).
This verse shows nyāsa as a ritual step where sacred syllables and a deity are ‘installed’ in a specific locus (here, the triśūla), establishing protection and potency for the rite.
This specific verse is not about the soul’s journey; it is a ritual-mantric instruction, emphasizing correct sequence (krama) and sanctification through bīja-mantras and deity-invocation.
If one follows traditional practice, it highlights disciplined, step-by-step recitation and intention in worship; ethically, it reinforces doing spiritual acts with order, focus, and reverence rather than casually.