Prāṇeśvara Garuḍa-Mantra: Timing (Velā), Nāga-Grahas, Nyāsa, Haṃsa-Rite, and Viṣa-Cikitsā
नाभौ हृदि स्तनतटे कण्ठे नासापुटे ऽक्षिणि / कर्णयोश्च भ्रुवोः शङ्खे मस्तके प्रतिपत्क्रमात्
nābhau hṛdi stanataṭe kaṇṭhe nāsāpuṭe 'kṣiṇi / karṇayośca bhruvoḥ śaṅkhe mastake pratipatkramāt
Beginning from the first day onward, (the vital force/awareness) proceeds in order—at the navel, then the heart, the region of the breasts, the throat, the nostrils, the eyes, the ears, the eyebrows, the temples, and finally the crown of the head.
Lord Vishnu (speaking to Garuda/Vinata-putra)
Concept: Sequential movement of vital awareness through nābhi→hṛd→stana-region→kaṇṭha→nāsāpuṭa→akṣi→karṇa→bhru→śaṅkha→mastaka.
Vedantic Theme: Prāṇa as upādhi; witnessing consciousness distinct from moving life-force.
Application: Use as a dhyāna/nyāsa sequence: place attention in the listed loci in order, stabilizing breath and awareness toward the crown.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.19.10 (bodily loci of affliction); Garuda Purana 1.19.12 (right/left abiding of lunar/prāṇic principle); Garuda Purana 1.19.13 (Haṃsa as supreme seed)
This verse maps the ordered ascent of vital awareness through key bodily regions, used in the Garuda Purana to explain how the dying process unfolds in stages and how departure culminates at the head.
It indicates a step-by-step movement from lower to higher centers—navel to crown—suggesting a progressive withdrawal from bodily functions and sensory loci before final exit.
It encourages mindful preparation for death—steadying breath, senses, and awareness—supporting practices like japa, prayer, and calmness in the final days rather than panic and attachment.