Vashikarana–Stambhana Prayogas and Garbha-Sambhava Yogas
वामाङ्गे दक्षिणाङ्गे च क्रमाद्रुद्र द्रवादिकृत् / चतुः षष्टि कलाः प्रोक्ताः कामशास्त्रे वशीकराः / आलिङ्गनाद्या नारीणां कमारीणां वशीकराः
vāmāṅge dakṣiṇāṅge ca kramādrudra dravādikṛt / catuḥ ṣaṣṭi kalāḥ proktāḥ kāmaśāstre vaśīkarāḥ / āliṅganādyā nārīṇāṃ kamārīṇāṃ vaśīkarāḥ
On the left side and on the right side—performed in proper sequence—there are acts such as “rudra-drava” and the like. In the Kāmaśāstra, sixty-four arts are taught as means of fascination and control; beginning with embracing and similar practices, they are said to be ways of captivating women and those engaged in amorous pursuits.
Lord Vishnu (narrating to Garuda/Vinata-putra)
Concept: Śāstraic codification of kāma-kalā (64 arts) as means of attraction and influence (vaśīkaraṇa).
Vedantic Theme: Pravṛtti-mārga (worldly engagement) contrasted implicitly with nivṛtti; desire as a binding force when pursued as control.
Application: Treat the described practices as a cautionary example: cultivate consent, restraint, and ethical boundaries; avoid coercive ‘vaśīkaraṇa’ intent.
Primary Rasa: shringara
Secondary Rasa: adbhuta
Related Themes: Garuda Purana 1.178.19-22 (tilaka/mantra/dhūpa/lepa as vaśīkaraṇa means)
This verse notes that Kāmaśāstra lists sixty-four arts as techniques connected with attraction and influence, framing them as structured practices rather than random indulgence.
By mentioning fascination-based techniques, it implicitly contrasts worldly methods of control with the Purana’s larger emphasis on dharma, self-mastery, and right conduct.
Treat desire-related skills and intimacy as matters requiring discipline and ethics—avoid manipulation, and prioritize consent, restraint, and dharmic responsibility.