Navavyūha-pūjāvidhi: Bhūta-śuddhi, Nyāsa, Yogapīṭha, Maṇḍala-racanā, Mudrā-prayoga
षडङ्गेन ततः कुर्यात्साक्षाद्येन हरिर्भवेत् / दक्षिणाङ्गुष्ठमारभ्य मध्याङ्गुष्ठन्दले न्यसेत्
ṣaḍaṅgena tataḥ kuryātsākṣādyena harirbhavet / dakṣiṇāṅguṣṭhamārabhya madhyāṅguṣṭhandale nyaset
Then one should perform the sixfold nyāsa (ṣaḍaṅga), by which Hari becomes directly manifest. Beginning with the right thumb, one should place the mantra-power in the maṇḍala-circle of the middle thumb.
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Ṣaḍaṅga-nyāsa as a means for sākṣāt-bhāva—cultivating immediacy of Hari’s presence through embodied mantra.
Vedantic Theme: Saguṇa-upāsanā as a practical doorway to inner clarity; īśvara-pratyakṣatā as experiential fruit of disciplined attention.
Application: Execute ṣaḍaṅga-nyāsa beginning from the right thumb; place mantra-energy in the specified thumb-maṇḍala points with unwavering concentration.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: maṇḍala on the hand (thumb-circles) within the ritual space
Related Themes: Garuda Purana 1.11.5 (mantra-nyāsa preliminaries); Garuda Purana 1.11.7 (aṅga-vinyāsa expansion)
This verse presents ṣaḍaṅga-nyāsa as a practical method of consecration by which Hari is made ‘directly present’—i.e., the practitioner ritually installs the deity/mantra-power into specific bodily points to prepare for worship.
It does not describe the soul’s post-death journey here; instead, it gives a ritual technology (nyāsa) used in devotional and protective practices, emphasizing embodied discipline as part of dharmic preparation.
Approach mantra and worship with correct method and reverence: use structured, step-by-step practice (under guidance) rather than casual recitation, treating ritual as a means to focus mind and devotion on Hari.