HomeChanakya NitiCh. 4Shloka 17

Shloka 17

Power and Prudence — Chanakya Niti

अध्वा जरा देहवतां पर्वतानां जलं जरा ।

अमैथुनं जरा स्त्रीणां वस्त्राणामातपो जरा ॥

adhvā jarā dehavatāṃ parvatānāṃ jalaṃ jarā |

amaithunaṃ jarā strīṇāṃ vastrāṇām ātapo jarā ||

For embodied beings, travel brings wear; for mountains, water brings wear; for women, lack of union brings wear; for garments, the sun brings wear.

अध्वाjourney/road
अध्वा:
TypeNoun
Rootअध्वन्
Formपुंलिङ्ग, प्रथमा, एकवचन
जराwearing out/decay
जरा:
TypeNoun
Rootजरा
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
देहवतांof embodied beings
देहवतां:
TypeAdjective
Rootदेहवत्
Formपुंलिङ्ग, षष्ठी, बहुवचन
पर्वतानांof mountains
पर्वतानां:
TypeNoun
Rootपर्वत
Formपुंलिङ्ग, षष्ठी, बहुवचन
जलंwater
जलं:
TypeNoun
Rootजल
Formनपुंसकलिङ्ग, प्रथमा, एकवचन
जराwearing out/decay
जरा:
TypeNoun
Rootजरा
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
अमैथुनंabsence of sexual union
अमैथुनं:
TypeNoun
Rootअमैथुन
Formनपुंसकलिङ्ग, प्रथमा, एकवचन
जराwearing out/decay
जरा:
TypeNoun
Rootजरा
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
स्त्रीणांof women
स्त्रीणां:
TypeNoun
Rootस्त्री
Formस्त्रीलिङ्ग, षष्ठी, बहुवचन
वस्त्राणांof garments
वस्त्राणां:
TypeNoun
Rootवस्त्र
Formनपुंसकलिङ्ग, षष्ठी, बहुवचन
आतपःsun/heat
आतपः:
TypeNoun
Rootआतप
Formपुंलिङ्ग, प्रथमा, एकवचन
जराwearing out/decay
जरा:
TypeNoun
Rootजरा
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
Chanakya (Kautilya)
अनुष्टुप्
Ancient EthicsSanskrit LiteratureNiti ShastraHistorical Philosophy
Embodied beingsMountainsWaterWomenGarmentsSun/heat

FAQs

In the Chanakya Niti/Nītiśāstra tradition, verses often condense observations about human life and the material world into memorable analogies. This shloka reflects a pre-modern South Asian genre practice of listing “causes” of decline or deterioration across different domains (body, landscape, household objects), functioning as a mnemonic and rhetorical device rather than an empirical treatise.

Here jarā is used broadly as “wearing out” or “deterioration,” applied analogically: physical fatigue from travel for living bodies, erosion for mountains through water, a socially framed notion of decline for women via amaithuna, and fading/weakening of cloth through sun exposure. The verse treats jarā as a generalized principle of diminution rather than a strictly biological category.

The shloka uses parallel nominal clauses with jarā repeated as a refrain, creating a catalog-like structure typical of subhāṣita and nīti literature. The metaphorical move is to align disparate processes (fatigue, erosion, fading) under one term (jarā), producing a compact worldview statement; the gendered line reflects period-specific social assumptions embedded in the didactic register.