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Shloka 27

The Lord’s Advent: Yoga-māyā’s Mission, Saṅkarṣaṇa’s Transfer, and the Demigods’ Prayers

एकायनोऽसौ द्विफलस्त्रिमूल-श्चतूरस: पञ्चविध: षडात्मा । सप्तत्वगष्टविटपो नवाक्षोदशच्छदी द्विखगो ह्यादिवृक्ष: ॥ २७ ॥

ekāyano ’sau dvi-phalas tri-mūlaś catū-rasaḥ pañca-vidhaḥ ṣaḍ-ātmā sapta-tvag aṣṭa-viṭapo navākṣo daśa-cchadī dvi-khago hy ādi-vṛkṣaḥ

This body may be likened to the “original tree”: one trunk, two fruits (enjoyment of happiness and suffering of distress), three roots (association with the three guṇas), four tastes (dharma, artha, kāma, mokṣa), five kinds (the knowledge-acquiring senses), six conditions (lamentation, illusion, old age, death, hunger, thirst), seven layers of bark (skin, blood, flesh, fat, bone, marrow, semen), eight branches (five elements plus mind, intelligence, false ego), nine hollows (eyes, ears, nostrils, mouth, anus, genitals), and ten leaves (the ten vital airs). In this tree dwell two birds: the individual soul and the Supersoul.

ekāyanaḥhaving one path
ekāyanaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rooteka + āyana (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुष (एकम् आयनम्/एकायन = ‘having one course/one path’)
asauthat (one)
asau:
Karta (कर्ता)
TypeNoun
Rootasau (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, प्रथमा, एकवचन
dvi-phalaḥhaving two fruits
dvi-phalaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdvi + phala (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (द्वे फले यस्य)
tri-mūlaḥhaving three roots
tri-mūlaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottri + mūla (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (त्रीणि मूलानि यस्य)
catū-rasaḥhaving four tastes/juices
catū-rasaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootcatur + rasa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (चत्वारो रसाः यस्य)
pañca-vidhaḥof five kinds
pañca-vidhaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpañca + vidha (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (पञ्चविध = ‘of five kinds’)
ṣaḍ-ātmāhaving six aspects
ṣaḍ-ātmā:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootṣaṭ + ātman (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (षडात्मा = ‘having six natures/aspects’)
sapta-tvākhaving seven layers of bark/skin
sapta-tvāk:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsapta + tvac (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास; प्रातिपदिक tvac → tvāk (प्रथमा एकवचन)
aṣṭa-viṭapaḥhaving eight branches
aṣṭa-viṭapaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootaṣṭa + viṭapa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (eight branches)
nava-akṣaḥhaving nine openings/eyes
nava-akṣaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnava + akṣa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (nine ‘eyes’/openings)
daśa-chadīhaving ten coverings
daśa-chadī:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdaśa + chadī (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (ten coverings/leaves)
dvi-khagaḥhaving two birds
dvi-khagaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdvi + khaga (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (two birds)
hiindeed
hi:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roothi (अव्यय)
Formनिपात (particle; emphasis/indeed)
ādi-vṛkṣaḥthe primordial tree
ādi-vṛkṣaḥ:
Karta (कर्ता)
TypeNoun
Rootādi + vṛkṣa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारय (आदिः वṛkṣaḥ = ‘the primordial tree’)

This material world is composed of five principal elements — earth, water, fire, air and ether — all of which are emanations from Kṛṣṇa. Although materialistic scientists may accept these five primary elements as the cause of the material manifestation, these elements in their gross and subtle states are produced by Kṛṣṇa, whose marginal potency also produces the living entities working within this material world. The Seventh Chapter of Bhagavad-gītā clearly states that the entire cosmic manifestation is a combination of two of Kṛṣṇa’s energies — the superior energy and the inferior energy. The living entities are the superior energy, and the inanimate material elements are His inferior energy. In the dormant stage, everything rests in Kṛṣṇa.

D
Devaki
K
Krishna
V
Vishnu
D
Demigods

FAQs

This verse describes the material world as an original tree with symbolic parts—roots, branches, bark, leaves, and two birds—indicating the structured, entangling nature of saṁsāra and the presence of both the individual soul and the Supreme within it.

They use a well-known Vedic metaphor to show that the Lord is the ultimate basis and overseer of the entire material arrangement, and that only by taking shelter of Him can one cut through entanglement.

See worldly pleasures as ‘two fruits’ that bind the mind, and consciously choose devotion—hearing, chanting, and remembering Krishna—as the way to rise above repeated anxiety and attachment.