Shloka 20
Nārada Explains the Allegory of King Purañjana
Deha–Indriya–Manaḥ Mapping and the Remedy of Bhakti
देहो रथस्त्विन्द्रियाश्व: संवत्सररयोऽगति: । द्विकर्मचक्रस्त्रिगुणध्वज: पञ्चासुबन्धुर: ॥ १८ ॥ मनोरश्मिर्बुद्धिसूतो हृन्नीडो द्वन्द्वकूबर: । पञ्चेन्द्रियार्थप्रक्षेप: सप्तधातुवरूथक: ॥ १९ ॥ आकूतिर्विक्रमो बाह्यो मृगतृष्णां प्रधावति । एकादशेन्द्रियचमू: पञ्चसूनाविनोदकृत् ॥ २० ॥
deho rathas tv indriyāśvaḥ saṁvatsara-rayo ’gatiḥ dvi-karma-cakras tri-guṇa- dhvajaḥ pañcāsu-bandhuraḥ
Nārada Muni continued: what I called the chariot is truly this body, and the senses are the horses that draw it. Year after year, driven by time’s speed, they run without hindrance, yet there is no real advance. Piety and sin are its two wheels; the three guṇas are its banners; the five life-airs are the jīva’s bondage. The mind is the rein, intelligence (buddhi) the charioteer. The heart is the seat, and dualities such as pleasure and pain are the place of the knot. The seven elements are its coverings; the five working senses are its outward operations; the eleven senses are its army. Thus, absorbed in sense-enjoyment, the jīva seated on the chariot chases mirage-like, false desires, running from birth to birth after the pleasures of the senses.
The entanglement of the living entity in sense enjoyment is very nicely explained in these verses. The word saṁvatsara, meaning “the progress of time,” is significant. Day after day, week after week, fortnight after fortnight, month after month, year after year, the living entity becomes entangled in the chariot’s progress. The chariot rests on two wheels, which are pious and impious activities. The living entity attains a certain position in life in a particular type of body according to his pious and impious activities, but his transmigration into different bodies should not be taken as progress. Real progress is explained in Bhagavad-gītā (4.9) . Tyaktvā dehaṁ punar janma naiti: one makes real progress when he does not have to take on another material body. As stated in Caitanya-caritāmṛta ( Madhya 19.138) :
FAQs
This verse explains the body as a chariot pulled by the senses, driven by time, and marked by the three guṇas—showing how the soul is carried through material life by karma and nature.
Nārada aimed to awaken the king from ritualistic attachment by revealing, through symbolism, how embodied life is propelled by time and karma unless one turns toward bhakti.
Treat the senses like horses needing discipline, watch how time pushes choices forward, and shift from karma-driven living to devotion-centered priorities.