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Agni Purana — Sahitya-shastra, Shloka 24

काव्यगुणविवेकः

Examination of the Qualities of Poetry

काव्येच्छया विशेषो यः सराग इति गीयते अभ्यासोपहितः कान्तिं सहजामपि वर्तते

kāvyecchayā viśeṣo yaḥ sarāga iti gīyate abhyāsopahitaḥ kāntiṃ sahajāmapi vartate

That distinctive excellence which arises from a desire for poetry is called “sarāga” (with aesthetic relish). When reinforced by practice, it sustains and brings forth even an inborn brilliance (natural charm).

kāvya-icchayāby/through the desire for poetry
kāvya-icchayā:
Hetu/Karaṇa (हेतु/करण)
TypeNoun
Rootkāvya (प्रातिपदिक) + icchā (प्रातिपदिक)
Formतत्पुरुष (षष्ठी-तत्पुरुष: ‘काव्यस्य इच्छा’); स्त्रीलिङ्ग (icchā), तृतीया (3rd), एकवचन
viśeṣaḥa distinction; special feature
viśeṣaḥ:
Karta (कर्ता)
TypeNoun
Rootviśeṣa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
yaḥwhich; that
yaḥ:
Sambandha (सम्बन्ध; relative pronoun)
TypeNoun
Rootyad (प्रातिपदिक; सर्वनाम)
Formसर्वनाम; पुंलिङ्ग, प्रथमा (1st), एकवचन
sa-rāgaḥwith color/tinge; ‘sarāga’
sa-rāgaḥ:
Pratyaya/Predicate (विधेय)
TypeAdjective
Rootsa (उपसर्ग/सह) + rāga (प्रातिपदिक)
Formतत्पुरुष (सह/स-समास: ‘रागसहितः’); पुंलिङ्ग, प्रथमा (1st), एकवचन
itithus
iti:
Vākyārtha-dyotaka (उद्धरण/इत्यर्थ)
TypeIndeclinable
Rootiti (अव्यय)
Formअव्यय; इति-शब्दः (quotative)
gīyateis sung/said; is called
gīyate:
Kriyā (क्रिया)
TypeVerb
Root√gai (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, एकवचन; कर्मणि-प्रयोग (Passive)
abhyāsa-upahitaḥenhanced by practice
abhyāsa-upahitaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootabhyāsa (प्रातिपदिक) + upahita (प्रातिपदिक; √dhā/√hā? here: upa-√dhā ‘placed/added’ as past participle)
Formतत्पुरुष (तृतीया-तत्पुरुष भाव: ‘अभ्यासेन उपहितः’); कृदन्त (क्त-प्रत्यय, past passive participle); पुंलिङ्ग, प्रथमा (1st), एकवचन
kāntimbeauty; luster
kāntim:
Karma (कर्म)
TypeNoun
Rootkānti (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
sahajāminnate; natural
sahajām:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsahaja (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
apieven; also
api:
Sambandha-bodhaka (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootapi (अव्यय)
Formअव्यय; निपात (particle)
vartateexists; occurs; is found
vartate:
Kriyā (क्रिया)
TypeVerb
Root√vṛt (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, एकवचन; आत्मनेपद

Lord Agni (teaching to Sage Vasiṣṭha in the Agni Purana’s instructional frame)

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Samanya","practical_application":"Develop ‘sarāga’—aesthetic relish and distinctive poetic excellence—by nurturing genuine poetic desire and reinforcing it through sustained practice (abhyāsa).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Sarāga (Aesthetic Relish in Composition) and the Role of Practice","lookup_keywords":["sarāga","kāvyeच्छा","abhyāsa","kānti","sahaja"],"quick_summary":"Sarāga is the special excellence born from a true inclination toward poetry. Practice strengthens it so that even innate brilliance becomes steady and manifest."}

Alamkara Type: Guṇa/Rīti orientation (sarāga as relish/colouring of style; not a single ornament)

Concept: Innate capacity (sahaja) becomes effective through repeated practice; desire aligned with discipline yields excellence.

Application: For any art/skill: pair intrinsic interest with daily drills—composition exercises, imitation, revision—to convert talent into reliable performance.

Khanda Section: Sahitya-shastra (Kavya and Alankara)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A young poet practices daily under a guru, rewriting verses; a subtle aura (kānti) grows brighter, symbolizing sarāga strengthened by abhyāsa.","kerala_mural_prompt":"Kerala mural, guru and disciple in a learning pavilion, palm-leaf manuscripts, repeated practice shown in sequential vignettes, glowing aura motif, traditional colors","tanjore_prompt":"Tanjore painting, poet with manuscript and veena-like aesthetic symbol, gold highlights around the brightened aura of kānti, devotional-art finish though secular subject","mysore_prompt":"Mysore painting, instructional classroom scene, multiple drafts on palm leaves, calm faces, fine detailing, emphasis on disciplined practice","mughal_miniature_prompt":"Mughal miniature, literary workshop with poet and mentor, piles of drafts, inkpot and reed pen, subtle halo indicating refined brilliance"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: kāvyecchayā = kāvya + icchayā; sarāga = sa + rāga; abhyāsopahitaḥ = abhyāsa + upahitaḥ.

Related Themes: Agni Purana Sahitya-shastra discussions on pratibhā, guṇa, and kāvya-sādhana (near 345.24)

FAQs

It teaches a kavya-shastra principle: poetic excellence called “sarāga” arises from the aspiration for poetry and is made effective and enduring through disciplined practice (abhyāsa), which can even reveal innate brilliance (kānti).

Alongside ritual, dharma, and other sciences, the Agni Purana also codifies literary theory—here defining an aesthetic category (sarāga) and a training principle (abhyāsa), showing its coverage of both sacred and cultural knowledge systems.

By valuing sustained practice and refined intention, the verse frames creative discipline as a sāttvika cultivation: steady effort purifies talent, stabilizes the mind, and turns natural gifts into constructive, dharmic expression.