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Agni Purana — Kosha, Shloka 2

Chapter 364 — ब्रह्मवर्गः

Brahmavarga: Lexical Classification of Brahminical/Ritual Terms

यष्टा च यजमानः स्यात् ज्ञात्वारम्भ उपक्रमः सतीर्थ्याश् चैकगुरवः सभ्याः सामाजिकास् तथा

yaṣṭā ca yajamānaḥ syāt jñātvārambha upakramaḥ satīrthyāś caikaguravaḥ sabhyāḥ sāmājikās tathā

The sacrificer (yaṣṭā) should be the yajamāna (the patron who commissions the rite), having understood the proper commencement and the procedure of the undertaking. And there should be ritual peers or fellow-students, those of a single preceptor, as well as the learned members of the assembly and the officiating participants likewise.

यष्टाthe sacrificer (one who performs the sacrifice)
यष्टा:
Karta (कर्ता)
TypeNoun
Rootयष्टृ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; agent-noun (कर्तृवाचक)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
यजमानःthe yajamāna (sacrificial patron)
यजमानः:
Karta (कर्ता)
TypeNoun
Rootयजमान (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; ritual patron (यज्ञस्य स्वामी)
स्यात्should be / may be
स्यात्:
Kriya (क्रिया)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष, एकवचन; परस्मैपद
ज्ञात्वाhaving known
ज्ञात्वा:
Kriya (क्रिया)
TypeVerb
Rootज्ञा (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययीभाव-प्रायः; ‘having known’
आरम्भःbeginning / commencement
आरम्भः:
Karta (कर्ता)
TypeNoun
Rootआरम्भ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
उपक्रमःprocedure / undertaking / initial step
उपक्रमः:
Karta (कर्ता)
TypeNoun
Rootउपक्रम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
सतीर्थ्याःcompanions/associates (of the same rite)
सतीर्थ्याः:
Karta (कर्ता)
TypeNoun
Rootसतीर्थ्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; ‘same-ritual/associated fellows’
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
एकगुरवःthose having one teacher
एकगुरवः:
Karta (कर्ता)
TypeNoun
Rootएक + गुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; षष्ठी-तत्पुरुषः/निर्देशः ‘एकः गुरु: यस्य/येषाम्’ (having one teacher)
सभ्याःmembers of the assembly
सभ्याः:
Karta (कर्ता)
TypeNoun
Rootसभ्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
सामाजिकाःcompanions / participants
सामाजिकाः:
Karta (कर्ता)
TypeNoun
Rootसामाजिक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
तथाlikewise / also
तथा:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; प्रकारवाचक/समुच्चयार्थ (adverb: ‘thus/also’)

Lord Agni (in discourse to sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Samanya","practical_application":"Constitute the yajña’s human framework correctly: the yajamāna as patron-performer, with properly trained peers and a competent sabhā to ensure procedural correctness and social-ritual legitimacy.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Yajamāna and Sabhā Requirements at Yajña Commencement","lookup_keywords":["yajamāna","ārambha-upakrama","sabhya","sāmājika","satīrthya"],"quick_summary":"The rite should be initiated only after understanding the correct commencement-protocol, with the yajamāna as the responsible patron and a qualified peer-group and assembly to witness and support the ritual."}

Concept: Ritual efficacy depends on right agency (yajamāna) and right community (qualified peers and sabhā) aligned to proper procedure.

Application: Before any major rite, verify eligibility, training-lineage, and the presence of competent witnesses/participants to prevent doṣa (ritual fault).

Khanda Section: Dharma-shastra / Śrauta-Smārta Karma (Yajña-vidhi and ritual protocol)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A yajña pavilion at the moment of commencement: the yajamāna seated with ritual peers (satīrthya, ekaguru) and an assembly of learned sabhyas and participants arranged formally around the altar space.","kerala_mural_prompt":"Kerala temple mural style, yajña-śālā interior, yajamāna in white garments with sacred thread, learned sabhyas seated in rows, palm-leaf manuscripts, calm ochre-red palette, stylized faces, ritual vessels near the altar, symmetrical composition","tanjore_prompt":"Tanjore painting, yajña commencement scene with yajamāna enthroned on a low seat, sabhā arranged around, rich textiles, gold-leaf highlights on ritual vessels and canopy borders, deep reds and greens, ornate frame","mysore_prompt":"Mysore painting, instructional depiction of yajña assembly layout, labeled positions for yajamāna and sabhyas, delicate linework, muted colors, emphasis on orderly seating and protocol","mughal_miniature_prompt":"Mughal miniature, court-like ritual assembly in a pavilion, yajamāna and scholars in discussion, fine architectural details, patterned carpets, precise facial portraiture, subdued yet intricate palette"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Shri","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: सतीर्थ्याश् → सतीर्थ्याः (श् + च → ः/श्च); चैकगुरवः → च + एकगुरवः.

Related Themes: Agni Purana 364.3; Agni Purana 364.6

A
Agni
Y
Yajamāna
S
Sabhyāḥ
S
Sāmājikāḥ

FAQs

It specifies ritual governance: the yajña should be led by a properly informed yajamāna/performer who knows the correct commencement (ārambha) and procedural sequence (upakrama), and it recognizes required/appropriate categories of accompanying learned and communal participants.

Beyond theology, it preserves practical dharma and yajña-administration—defining roles (yajamāna, sabhya, sāmājika) and procedural competence—showing the Purāṇa’s coverage of ritual law and social-ritual institutions.

Correct initiation and procedure, undertaken by a qualified patron/performer with proper witnesses and participants, safeguards the rite from defects (doṣa) and supports the intended merit (puṇya) and purification (śuddhi) of the sacrifice.