Previous Verse
Next Verse

Skanda Purana — Nagara Khanda, Shloka 43

कर्णाटकी रक्तहंसा षड्भार्या भैरवानुगाः । बंगाली मधुरा चैव कामोदा चाक्षिनारिका

karṇāṭakī raktahaṃsā ṣaḍbhāryā bhairavānugāḥ | baṃgālī madhurā caiva kāmodā cākṣinārikā

Karṇāṭakī und Raktahaṃsā — diese sechs Gemahlinnen folgen Bhairava; und ferner (werden genannt) Baṃgālī, Madhurā, Kāmodā und Ākṣinārikā.

कर्णाटकीKarṇāṭakī
कर्णाटकी:
Karta (Subject/कर्ता)
TypeNoun
Rootकर्णाटकी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम
रक्तहंसाRaktahaṃsā
रक्तहंसा:
Karta (Subject/कर्ता)
TypeNoun
Rootरक्त (प्रातिपदिक) + हंसा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मधारयः (रक्ता हंसा) ; नाम
षड्भार्या(the group of) six consorts
षड्भार्या:
Karta (Subject/कर्ता)
TypeNoun
Rootषट् (संख्या-प्रातिपदिक) + भार्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; द्विगु-समासः (षट्-भार्या = the set of six consorts)
भैरवानुगाःattendants of Bhairava
भैरवानुगाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootभैरव (प्रातिपदिक) + अनुग (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; भैरव-अनुगाः इति तत्पुरुषः; विशेषण (followers/attendants of Bhairava)
बंगालीBaṅgālī
बंगाली:
Karma (Object/कर्म)
TypeNoun
Rootबंगाली (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम
मधुराMadhurā
मधुरा:
Karma (Object/कर्म)
TypeNoun
Rootमधुर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-बोधक
एवindeed
एव:
Sambandha (Emphasis/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण
कामोदाKāmodā
कामोदा:
Karma (Object/कर्म)
TypeNoun
Rootकामोदा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-बोधक
अक्षिनारिकाAkṣinārikā
अक्षिनारिका:
Karma (Object/कर्म)
TypeNoun
Rootअक्षि (प्रातिपदिक) + नारिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; अक्षि-नारिका इति तत्पुरुषः; नाम

Narrator (contextual Purāṇic narrator within Nāgarakhaṇḍa; exact speaker not explicit in the snippet)

Scene: Bhairava as kṣetrapāla stands central with dog-vāhana; around him six rāgiṇī-śaktis labeled Karṇāṭakī, Baṃgālī, etc., each with regional costume cues and musical instruments; a garland of syllables encircles them.

B
Bhairava
K
Karṇāṭakī
R
Raktahaṃsā
B
Baṃgālī
M
Madhurā
K
Kāmodā
Ā
Ākṣinārikā

FAQs

Bhairava-centered devotion is expressed through ordered musical lineages, portraying sound as a sacred service (sevā).

The broader Tīrthamāhātmya frame glorifies a sacred locale, but this verse itself foregrounds Bhairava’s musical retinue rather than a place-name.

None explicitly; it is a descriptive catalog used within a ceremonial praise narrative.