प्रदक्षिणैः स्तोत्रजपैर्नमस्कारैस्तु नर्त्तनैः । देवदेवमहादेव शंभो शिवशिवेति च
pradakṣiṇaiḥ stotrajapairnamaskāraistu narttanaiḥ | devadevamahādeva śaṃbho śivaśiveti ca
Durch Pradakṣiṇā (Umwandlungen), durch Hymnenrezitation und Japa, durch Niederwerfungen und sogar durch Tanz—rufend: „Gott der Götter, Mahādeva! Śambho! Śiva, Śiva!“—wird die Hingabe in Kāśī zu einer mächtigen Quelle des Verdienstes.
Skanda (deduced; Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī (Avimukta)
Type: kshetra
Scene: A devotee in Kāśī performs pradakṣiṇā around a Śiva-liṅga/Viśveśvara precinct, chanting ‘Śambho, Śiva, Śiva’, alternating between namaskāra and rhythmic devotional dance; lamps and incense glow, Gaṅgā nearby.
Embodied devotion—walking, bowing, chanting, even dancing—becomes direct worship of Śiva and generates merit in Kāśī.
Kāśī’s Śaiva worship sphere centered on Viśveśvara, expressed through Śiva-nāma and temple devotion.
Pradakṣiṇā, stotra-japa, namaskāra, devotional dancing, and Śiva-nāma utterances (Mahādeva, Śambho, Śiva).