व्योम्नापि शब्दगुणिना ध्रुवाराधनबुद्धिना । शब्दजातस्त्वशेषोपि तत्कर्ण शरणीकृतः
vyomnāpi śabdaguṇinā dhruvārādhanabuddhinā | śabdajātastvaśeṣopi tatkarṇa śaraṇīkṛtaḥ
Sogar der Himmel, dessen eigene Eigenschaft der Klang ist, ließ—mit einem Geist, der auf die Verehrung Dhruvas gerichtet war—die ganze Schar der Laute ohne Ausnahme in seinem Ohr Zuflucht nehmen und sich fügen.
Skanda (deduced, Kāśīkhaṇḍa norm: Skanda → Agastya)
Tirtha: Kāśī-kṣetra
Type: kshetra
Scene: A yogin absorbed in unwavering worship; the sky above is filled with swirling glyph-like sound-forms that stream inward and settle at his ear, as if all noise becomes a single sacred tone.
Devotional steadiness disciplines perception itself; even ‘sound in space’ is portrayed as subdued before concentrated worship.
The Kāśī-kṣetra milieu of the Kāśīkhaṇḍa, where worship and tapas are celebrated as uniquely efficacious.
No direct prescription; it implies focused ārādhana (worship) and inner restraint as the practice.