नवमं वै चूडकर्म दशमं मौञ्जिबन्धनम् । ऐषिकं दार्विकं चैव सौमिकं भौमिकं तथा
navamaṃ vai cūḍakarma daśamaṃ mauñjibandhanam | aiṣikaṃ dārvikaṃ caiva saumikaṃ bhaumikaṃ tathā
Das neunte ist Cūḍākarman, die Tonsur; das zehnte ist Mauñjī-bandhana, das Anlegen des muñja-Gürtels. Ferner gibt es Riten in Bezug auf das heilige Brennholz (aiṣika), auf Holz (dārvika), auf Soma (saumika) und auf die Erde (bhaumika).
Śrī Mārkaṇḍeya
Scene: A boy’s tonsure (cūḍākarman) and upanayana preparation: shaving with ritual care, then tying the muñja girdle; samidh bundles, wooden ladles, and soma/earth symbolism indicated by ritual vessels and a small fire altar.
The tradition emphasizes gradual refinement through structured rites, preparing one for disciplined spiritual life and Vedic responsibility.
No specific tīrtha is praised in this verse; it continues a saṃskāra catalog within Revā Khaṇḍa.
It names Cūḍākarman and Mauñjī-bandhana and references additional categorized rites (aiṣika, dārvika, saumika, bhaumika).