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Skanda Purana — Avanti Khanda, Shloka 54

सरयूः शतरुद्रा च मही चर्मिलया सह । गोदावरी तथा पुण्या तथैव यमुना नदी

sarayūḥ śatarudrā ca mahī carmilayā saha | godāvarī tathā puṇyā tathaiva yamunā nadī

Ebenso heilig sind die Sarayū, die Śatarudrā, die Mahī zusammen mit der Carmilā, die heilige Godāvarī und ebenso der Fluss Yamunā.

सरयूःSarayū
सरयूः:
Karta (Subject/कर्ता)
TypeNoun
Rootसरयू (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन
शतरुद्राŚatarudrā (river)
शतरुद्रा:
Karta (Subject/कर्ता)
TypeNoun
Rootशतरुद्रा (प्रातिपदिक; शत + रुद्र)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
महीMahī (river)
मही:
Karta (Subject/कर्ता)
TypeNoun
Rootमही (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन
चर्मिलयाwith Carmilā
चर्मिलया:
Sahakari (Accompaniment/सह)
TypeNoun
Rootचर्मिला (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/करण), एकवचन; सह-योगे (in accompaniment)
सहtogether with
सह:
Sahakari (Accompaniment/सह)
TypeIndeclinable
Rootसह (अव्यय)
Formसहयोगार्थक अव्यय (with)
गोदावरीGodāvarī
गोदावरी:
Karta (Subject/कर्ता)
TypeNoun
Rootगोदावरी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन
तथाlikewise
तथा:
Sambandha (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formसमुच्चय/प्रकारवाचक अव्यय (likewise)
पुण्याholy
पुण्या:
Karta (Predicate/विधेय)
TypeAdjective
Rootपुण्य (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन; विशेषण
तथाlikewise
तथा:
Sambandha (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formसमुच्चय/प्रकारवाचक अव्यय (likewise)
एवalso
एव:
Sambandha (Emphasis/अवधारण)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारणार्थक अव्यय (also/indeed)
यमुनाYamunā
यमुना:
Karta (Subject/कर्ता)
TypeNoun
Rootयमुना (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन
नदीriver
नदी:
Karta (Apposition/समानााधिकरण)
TypeNoun
Rootनदी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन; यमुना-इति विशेष्य/अप्पोजिशन

Mārkaṇḍeya

Tirtha: Sarayū, Śatarudrā (Sutlej), Mahī–Carmilā, Godāvarī, Yamunā

Type: kshetra

Scene: A flowing sequence of river vistas: Ayodhya’s Sarayū ghāṭas, the Sutlej cutting through hills, the Mahī in western plains with a smaller companion stream, the Godāvarī with temple steps, and the Yamunā with dark-blue waters—each marked as ‘puṇyā’.

S
Sarayū
Ś
Śatarudrā
M
Mahī
C
Carmilā
G
Godāvarī
Y
Yamunā

FAQs

Holiness is mapped onto the landscape through rivers, encouraging tīrtha-oriented living and purification.

Multiple river-tīrthas across Bhārata are acknowledged, forming a comparative backdrop to Revā/Narmadā.

Implied river-tīrtha practices such as snāna (sacred bathing) and pilgrimage, though not explicitly stated.