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Shloka 17

अष्टादशः सर्गः (Sarga 18): रावणस्य प्रमदावनप्रवेशः

Ravana’s entry into the women’s grove

व्याविद्धहारकेयूराः समामृदितवर्णकाः।समागळितकेशान्तास्सस्वेदवदनास्तथा।।5.18.16।।घूर्णन्त्यो मदशेषेण निद्रया च शुभाननाः।स्वेदक्लिष्टाङ्गकुसुमास्सुमाल्याकुलमूर्धजाः।।5.18.17।।प्रयान्तं नैऋतपतिं नार्यो मदिरलोचनाः।बहुमानाच्च कामाच्च प्रिया भार्यास्तमन्वयुः।।5.18.18।।

ghūrṇantyo mada-śeṣeṇa nidrayā ca śubhānanāḥ |

sveda-kliṣṭāṅga-kusumāḥ su-mālyākula-mūrdhajāḥ ||5.18.17||

Mit schönen Gesichtern schwankten sie, vom Rest des Rausches und vom Schlaf; die Blumen an ihren Gliedern welkten im Schweiß, und ihr Haar war von feinen Girlanden verwirrt.

ghūrṇantyaḥreeling / swaying
ghūrṇantyaḥ:
Karta (कर्ता)
TypeVerb
Rootghūrṇ (धातु)
Formशतृ-प्रत्ययान्त वर्तमान-कृदन्त (Present active participle), स्त्रीलिङ्ग, प्रथमा, बहुवचन; 'reeling/moving to and fro'
madaśeṣeṇadue to residual intoxication
madaśeṣeṇa:
Hetu (हेतु/निमित्त)
TypeNoun
Rootmada (प्रातिपदिक) + śeṣa (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (Inst/3rd), एकवचन; तत्पुरुषः: madasya śeṣaḥ (residual intoxication)
nidrayādue to sleep
nidrayā:
Hetu (हेतु/निमित्त)
TypeNoun
Rootnidrā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (Inst/3rd), एकवचन
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय, समुच्चय (and)
śubhānanāḥfair-faced (women)
śubhānanāḥ:
Karta (कर्ता)
TypeNoun
Rootśubha (प्रातिपदिक) + ānana (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (Nom/1st), बहुवचन; बहुव्रीहिः: 'śubham ānanam yāsām' = fair-faced women
svedakliṣṭāṅga-kusumāḥwith flowers on limbs wilted by sweat
svedakliṣṭāṅga-kusumāḥ:
Karta (कर्ता)
TypeAdjective
Rootsveda (प्रातिपदिक) + kliṣṭa (कृदन्त-प्रातिपदिक) + aṅga (प्रातिपदिक) + kusuma (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; बहुव्रीहिः: 'svedena kliṣṭāni aṅga-kusumāni yāsām' = whose body-flowers are wilted by sweat
su-mālya-ākula-mūrdhajāḥwith hair crowded with fine garlands
su-mālya-ākula-mūrdhajāḥ:
Karta (कर्ता)
TypeAdjective
Rootsu (अव्यय) + mālya (प्रातिपदिक) + ākula (प्रातिपदिक) + mūrdhaja (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; बहुव्रीहिः: 'su-mālyena ākulāḥ mūrdhajāḥ yāsām' = whose hair is filled/adorned with beautiful garlands

The necklaces and armlets (of the wives) disarrayed, the sandal paste and other unguents on the body smudged, hair hanging down their faces, the sweating damsels followed Ravana. They were dizzy with leftover intoxication and sleep and were swaying from side to side. Their dishevelled hair was loose and faces filled with sweat, their flower garlands on the body had wilted due to sweat on their limbs. The drunken wives of Ravana, actuated by their high regard and passion for him followed as he advanced with drunken eyes.

R
Rāvaṇa’s wives
G
garlands (mālya)
F
flowers (kusuma)

FAQs

It underscores impermanence and the loss of dignity that follows heedlessness; dharma calls for steadiness and truth-aligned awareness rather than stupefaction.

The attendants/wives accompanying Rāvaṇa are described as reeling from intoxication and sleep, their adornments wilting and disordered.

The contrasted virtue is sobriety and mindfulness—qualities that support satya (clear seeing) and dharma (right conduct).