Shloka 25
Tīrtha-Māhātmya of the Sarasvatī Region and the Praise of Kurukṣetra
Pilgrimage Merits
ततस्त्वौशनसं गच्छेत्त्रिषु लोकेषु विश्रुतम् । यत्र ब्रह्मादयो देवा ऋषयश्च तपोधनाः
tatastvauśanasaṃ gacchettriṣu lokeṣu viśrutam | yatra brahmādayo devā ṛṣayaśca tapodhanāḥ
Dann soll man nach Auśanasa gehen, in den drei Welten berühmt, wo Brahmā und die übrigen Devas weilen und die Ṛṣis, reich an Askese.
Unspecified in the provided excerpt (context needed to identify the dialogue pair, e.g., Pulastya–Bhīṣma or Śiva–Pārvatī).
Concept: Pilgrimage to highly praised tīrthas places one in the spiritual company of devas and perfected sages; saṅga (holy association) is itself transformative.
Application: Seek ‘Auśanasa’ in daily life by choosing uplifting environments—temples, satsang, scripture study circles; travel with intention, restraint, and charity rather than tourism alone.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"A grand tīrtha named Auśanasa unfolds like a sacred amphitheater: sages with radiant austerity sit in concentric circles, while Brahmā and other devas appear above or among them in subtle glory. The atmosphere is charged with mantra-sound and stillness, suggesting a place famous across the three worlds.","primary_figures":["Brahmā","Devas (Indra, etc., optional)","Tapodhana Ṛṣis (assemblage)","Pilgrim-seeker (optional)"],"setting":"Vast tīrtha grove with ancient trees, stone platforms, a central altar or kund, and distant temple spires; a sense of cosmic gathering.","lighting_mood":"golden dawn","color_palette":["saffron","ivory","sky blue","emerald","bronze"],"tanjore_prompt":"Tanjore painting style: Auśanasa tīrtha as a majestic sacred court—Brahmā enthroned with gold leaf halo, devas in ornate attire, and rows of sages with matted locks; rich reds/greens, gem-studded ornaments, intricate temple arch framing the assembly, shimmering gold accents across the scene.","pahari_prompt":"Pahari miniature style: panoramic sacred grove with delicate figures of sages seated in discourse; Brahmā and devas rendered with refined elegance, cool blues and soft greens, lyrical naturalism, gentle hills and flowing pathways guiding the pilgrim into the assembly.","kerala_mural_prompt":"Kerala mural style: iconic Brahmā and devas with bold outlines, stylized sage assembly in rhythmic repetition; warm pigment palette, temple-wall symmetry, patterned foliage and ornamental borders emphasizing the tīrtha’s sanctity.","pichwai_prompt":"Pichwai cloth painting style: sacred assembly at Auśanasa framed by lotus and floral borders; central kund/altar, repeating motifs of lamps and bells, deep blue ground with gold highlights, peacocks at corners, intricate textile geometry suggesting ‘three-world’ fame."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["Vedic chanting","temple bells","rustling leaves","conch shell (distant)"]}
Sandhi Resolution Notes: ततस्त्वौशनसम् = ततः + तु + औशनसम्; गच्छेत्त्रिषु = गच्छेत् + त्रिषु; ब्रह्मादयो = ब्रह्म + आदयः; ऋषयश्च = ऋषयः + च.
FAQs
Auśanasa is presented as a famed sacred destination (tīrtha/holy place) known across the three worlds, associated with the presence of gods and austere sages.
It highlights the sanctity of the place by associating it with divine beings (devas) and spiritually accomplished sages (ṛṣis), implying exceptional holiness and merit for pilgrims.
The phrase indicates sages whose true “wealth” is tapas (austerity/discipline), pointing to the Purāṇic ideal that spiritual power and merit arise from self-restraint and sustained practice.