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Shloka 21

The Marks of Merit and the Destinies of Beings

Divine vs Demonic Traits

वधबंधरतोद्वेगा द्यूतसंगीतसंप्रियाः । कुभृत्याः कुजनप्रीताः पूतिगंधरता नराः

vadhabaṃdharatodvegā dyūtasaṃgītasaṃpriyāḥ | kubhṛtyāḥ kujanaprītāḥ pūtigaṃdharatā narāḥ

Männer, die durch Gewalt und Fesselung aufgewühlt sind, dem Glücksspiel und Gesang zugetan, zu niederem Dienst geneigt, an schlechter Gesellschaft Gefallen findend und an üble Gerüche (unreine Gewohnheiten) gebunden — so werden sie geschildert.

वधबंधरतोद्वेगाःgiven to killing and binding, causing agitation
वधबंधरतोद्वेगाः:
Karta (कर्ता/Subject)
TypeAdjective
Rootवध + बन्ध + रत + उद्वेग (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुष-समाहारः (वधे बन्धे च रताः, उद्वेगयुक्ताः/उद्वेगकराः)
द्यूतसंगीतसंप्रियाःvery fond of gambling and music
द्यूतसंगीतसंप्रियाः:
Karta (कर्ता/Subject)
TypeAdjective
Rootद्यूत + संगीत + संप्रिय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुषः (द्यूते संगीते च संप्रियाः)
कुभृत्याःwicked servants/retainers
कुभृत्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootकु + भृत्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; कर्मधारयः (कु-भृत्याः = दुष्टभृत्याः)
कुजनप्रीताःfond of bad people
कुजनप्रीताः:
Karta (कर्ता/Subject)
TypeAdjective
Rootकुजन + प्रीत (कृदन्त; √प्री)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुषः (कुजने प्रीताः)
पूतिगंधरताःdelighting in foul smells
पूतिगंधरताः:
Karta (कर्ता/Subject)
TypeAdjective
Rootपूति + गन्ध + रत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुषः (पूतिगन्धे रताः)
नराःmen
नराः:
Karta (कर्ता/Subject)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन

Unspecified in the provided excerpt (context needed from surrounding verses of Sṛṣṭikhaṇḍa 76).

Concept: Adharma manifests as addiction to हिंसा (violence), bondage, gambling, and impure sensory fixations; such habits signal a fall from human dharma into asuric temperament.

Application: Audit daily inputs: avoid violent entertainment, gambling-like compulsions, and degrading sensory habits; replace with kīrtana, clean living, and association with dhārmika people.

Primary Rasa: bibhatsa

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A crowded twilight street where men, faces tense and eyes darting, cluster around dice and loud music while shadows of chains and weapons loom behind them. The air is rendered as a visible haze of impurity—dark fumes curling from intoxicants and unclean habits—contrasted by a distant, faintly glowing temple spire that they ignore.","primary_figures":["degraded men (daitya-lakṣaṇa)","a distant Vishnu temple silhouette","symbolic figures of Dice (dyūta) and Bondage (bandha) as personified shadows"],"setting":"urban crossroads near a neglected shrine; gambling circle, musicians, and a narrow alley suggesting moral confinement","lighting_mood":"smoky twilight with a far-off divine radiance","color_palette":["soot black","tarnished bronze","muddy maroon","ashen grey","distant temple-gold"],"tanjore_prompt":"Tanjore painting style: a moral allegory panel—foreground shows men around dice and crude music, with personified shadows of bondage and violence; background a small Vishnu shrine with a faint gold-leaf aura they turn away from; heavy gold leaf on the shrine halo, rich reds/greens for garments, ornate borders, gem-studded accents emphasizing the contrast between sacred radiance and worldly grime.","pahari_prompt":"Pahari miniature style: twilight bazaar scene with delicate brushwork—men gambling and singing, subtle expressions of agitation; a distant hilltop temple with a thin line of luminous gold; cool greys and muted reds, lyrical naturalism, fine detailing of smoke and shadow, restrained moral symbolism.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments—figures with exaggerated eyes showing restlessness; dark swirling motifs for impurity and bondage; a small Vishnu icon in the corner with a bright yellow-red aura; temple-wall aesthetic, rhythmic composition, symbolic clarity.","pichwai_prompt":"Pichwai cloth painting style: an instructive contrast—lower register shows chaotic dice-play and noisy song with dark floral borders turning thorny; upper register shows a serene Vishnu/Krishna shrine framed by lotus motifs and peacocks; deep blues and gold, intricate borders, moral transformation theme."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["distant temple bells","muffled street noise","low drum pulse","brief silence after each pāda"]}

Sandhi Resolution Notes: वधबंधरतोद्वेगा → वध-बन्ध-रत-उद्वेगाः; द्यूतसंगीतसंप्रियाः → द्यूत-संगीत-संप्रियाः; पूतिगंधरता → पूति-गन्ध-रताः.

FAQs

It criticizes violent and coercive tendencies, attachment to gambling and frivolous entertainment, servility to ignoble aims, preference for wicked company, and attraction to impurity—portraying a degraded moral disposition.

The verse pairs “song/music” with gambling and other vices, suggesting attachment and indulgence as part of a dissipated lifestyle, not necessarily a blanket condemnation of music in all sacred or disciplined contexts.

It warns that habitual association with harmful actions, bad company, and impure cravings shapes one’s character; ethical discipline involves avoiding such attachments and cultivating purity and good association.