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Shloka 96

The Origin of the Daṇḍaka Forest and Rāma’s Dharma-Judgment

Vulture vs. Owl

गृध्रोलूकौ विवदंतौ पृच्छति स्म रघूत्तमः । कति वर्षाणि भो गृध्र तवेदं निलयं कृतं

gṛdhrolūkau vivadaṃtau pṛcchati sma raghūttamaḥ | kati varṣāṇi bho gṛdhra tavedaṃ nilayaṃ kṛtaṃ

Als Raghūttama (Rāma) sah, wie Geier und Eule stritten, fragte er: «O Geier, wie viele Jahre hast du diesen Ort zu deiner Wohnstatt gemacht?»

गृध्र-उलूकौthe vulture and the owl
गृध्र-उलूकौ:
Karta (Subject/कर्ता)
TypeNoun
Rootगृध्र (प्रातिपदिक) + उलूक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), द्विवचन; द्वन्द्वसमास (इतरेतर-द्वन्द्व)
विवदन्तौquarrelling
विवदन्तौ:
Karta (Agent/कर्ता)
TypeVerb
Rootवि√वद् (धातु)
Formवर्तमानकाले कृदन्त (शतृ-प्रत्यय/Present active participle), पुंलिङ्ग, प्रथमा (1st), द्विवचन
पृच्छतिasks
पृच्छति:
Kriya (Action/क्रिया)
TypeVerb
Root√पृच्छ् (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, एकवचन
स्मindeed/then (past narrative marker)
स्म:
Sambandha (Discourse particle)
TypeIndeclinable
Rootस्म (अव्यय)
Formअव्यय; स्म-प्रयोगः (भूतार्थ/पूर्ववृत्त-सूचक particle)
रघूत्तमःRaghūttama (Rama)
रघूत्तमः:
Karta (Subject/कर्ता)
TypeNoun
Rootरघूत्तम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; षष्ठी-तत्पुरुष (रघोः उत्तमः)
कतिhow many
कति:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootकति (प्रातिपदिक)
Formप्रश्नवाचक-संख्याविशेषण; नपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), बहुवचन (varṣāṇi इति सह)
वर्षाणिyears
वर्षाणि:
Karma (Object/कर्म)
TypeNoun
Rootवर्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), बहुवचन
भोO!
भो:
Sambodhana (Address)
TypeIndeclinable
Rootभो (अव्यय)
Formसम्बोधन-निपात (vocative particle)
गृध्रO vulture
गृध्र:
Sambodhana (Address)
TypeNoun
Rootगृध्र (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8th), एकवचन
तवyour
तव:
Shashthi-sambandha (Genitive relation)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th), एकवचन; सर्वनाम
इदम्this
इदम्:
Karma (Object/कर्म)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन
निलयम्dwelling/place
निलयम्:
Karma (Object/कर्म)
TypeNoun
Rootनिलय (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
कृतम्made/established
कृतम्:
Kriya (Predicate/क्रिया)
TypeVerb
Root√कृ (धातु)
Formभूतकर्मणि कृदन्त (क्त-प्रत्यय/Past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; (अस्ति इति अध्याहार्य)

Raghūttama (Rāma)

Concept: The dhārmika leader investigates conflict at its root; even creatures in dispute become occasions for discerning truth and time (kāla).

Application: When witnessing quarrel, ask patient questions; seek history and context before judging.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: forest

Visual Art Cues: {"scene_description":"In a twilight forest clearing, a vulture and an owl face each other in tense argument atop a gnarled branch, feathers bristling. Rāma stands nearby with bow lowered, not in threat but in attentive inquiry, his calm presence cooling the quarrel as he asks the vulture about the age of its dwelling.","primary_figures":["Rāma (Raghūttama)","vulture (gṛdhra)","owl (ulūka)"],"setting":"Forest clearing with ancient trees, a hollow trunk suggesting the ‘nilaya’ (dwelling), scattered leaves, and a quiet path where the prince pauses mid-journey.","lighting_mood":"forest dappled","color_palette":["dusky violet","moss green","bark brown","moon-silver","Rāma-blue"],"tanjore_prompt":"Tanjore painting style: Rāma in blue and gold ornaments standing in a stylized forest, bow lowered; a vulture and owl disputing on a branch above a hollow tree; gold leaf highlights on Rāma’s halo and forest ornaments, rich earthy reds/greens, embossed foliage patterns, devotional calm amid animal tension.","pahari_prompt":"Pahari miniature style: Lyrical woodland with delicate leaves and soft twilight wash; Rāma in graceful stance looking up, vulture and owl rendered with fine feather detail; subtle emotion, refined faces, gentle gradients, and a quiet narrative intimacy.","kerala_mural_prompt":"Kerala mural style: Bold outlines, stylized forest bands, Rāma centered with large expressive eyes; vulture and owl in dramatic profile on a branch; warm red-yellow-green palette with dark accents, temple-wall storytelling composition.","pichwai_prompt":"Pichwai cloth painting style: Forest scene framed by lotus and creeper borders; deep indigo twilight background with gold highlights; birds stylized with ornamental feather patterns; Rāma as central devotional figure, with floral motifs echoing the theme of harmony restored through inquiry."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["forest birds","rustling leaves","distant owl call","brief silence between questions"]}

Sandhi Resolution Notes: गृध्रोलूकौ = गृध्र + उलूकौ (स्वर-सन्धि); विवदंतौ = विवदन्तौ; तवेदं = तव + इदम् (स्वर-सन्धि)

R
Raghūttama (Rāma)
G
Gṛdhra (vulture)
U
Ulūka (owl)

FAQs

Rāma (Raghūttama) observes a vulture and an owl arguing and questions the vulture about how long it has lived in that place, initiating a dialogue.

The verse models disciplined inquiry: before judging a conflict, one first asks clear questions to understand context, history, and causes.

In this shloka itself, the focus is not directly on bhakti or a tīrtha, but on dialogue and investigation; any devotional or place-based significance would typically emerge from the surrounding verses in the chapter.