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Shloka 98

The Tale of the Five Pretas and the Glory of Puṣkara & the Eastern Sarasvatī

तत्रोपवासी यज्ञस्य पुंडरीकस्य यत्फलम् । तत्प्राप्नोति नरः क्षिप्रमल्पायासेन पुष्करे

tatropavāsī yajñasya puṃḍarīkasya yatphalam | tatprāpnoti naraḥ kṣipramalpāyāsena puṣkare

In Puṣkara erlangt der Mensch, der dort fastet, rasch denselben Verdienst wie durch das Puṇḍarīka-Opfer, bei nur geringer Mühe.

तत्रthere
तत्र:
Adhikarana (Locative setting/अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्यय (स्थानवाचक अव्यय/adverb of place)
उपवासीa fasting person
उपवासी:
Karta (Subject/कर्ता)
TypeNoun
Rootउपवासिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; उपवासं करोति इति (one who fasts)
यज्ञस्यof the sacrifice
यज्ञस्य:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootयज्ञ (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन (genitive)
पुण्डरीकस्यof Puṇḍarīka
पुण्डरीकस्य:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootपुण्डरीक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन (genitive)
यत्which
यत्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootयद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; सम्बन्धसूचक relative pronoun
फलम्fruit, result
फलम्:
Karma (Object/कर्म)
TypeNoun
Rootफल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन
तत्that
तत्:
Karma (Object/कर्म)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; demonstrative pronoun
प्राप्नोतिattains
प्राप्नोति:
Kriya (Action/क्रिया)
TypeVerb
Rootप्र + आप् (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd), एकवचन
नरःa man
नरः:
Karta (Subject/कर्ता)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
क्षिप्रम्quickly
क्षिप्रम्:
Kriya-visheshana (Adverbial modifier/क्रियाविशेषण)
TypeIndeclinable
Rootक्षिप्रम् (अव्यय)
Formअव्यय (कालवाचक/रीतिवाचक adverb)
अल्पायासेनwith little effort
अल्पायासेन:
Karana (Instrument/करण)
TypeNoun
Rootअल्प + आयास (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), एकवचन; कर्मधारय-समासः (अल्पः आयासः)
पुष्करेat Puṣkara
पुष्करे:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootपुष्कर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन (locative)

Unspecified (narratorial verse; speaker not identified from the single-verse excerpt)

Concept: Austerity performed at a potent tīrtha multiplies merit: fasting at Puṣkara yields Puṇḍarīka-yajña fruit with minimal strain.

Application: Adopt periodic fasting or mindful restraint (food, speech, consumption) and pair it with sacred remembrance, charity, and service—especially during pilgrimages or holy days.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: tirtha

Visual Art Cues: {"scene_description":"On the Puṣkara ghāṭa, a fasting pilgrim sits in quiet resolve, a simple water-pot and a few flowers beside him, while the lake reflects a vision of a grand yajña—vast altars, priests, and blazing fires—appearing like a mirage above the water. The scene conveys the verse’s promise: the immense sacrifice’s fruit condensed into one sincere upavāsa at the tīrtha.","primary_figures":["fasting pilgrim (upavāsī)","visionary yajña priests (mirage-like)","Brahmā shrine/temple (background)"],"setting":"Puṣkara Sarovar steps with small lamps, flower offerings, and distant temple spires; desert breeze and flags","lighting_mood":"temple lamp-lit","color_palette":["lamp gold","midnight blue","turquoise","saffron","sandstone beige"],"tanjore_prompt":"Tanjore painting style: foreground upavāsī seated in meditation at Puṣkara ghāṭa with minimal offerings, gold leaf lamps and halos, above the lake a grand Puṇḍarīka-yajña vision with ornate fire altars and priests, rich reds and greens, gem-studded borders, embossed gold on flames and water reflections, traditional iconography of sacred austerity.","pahari_prompt":"Pahari miniature style: contemplative pilgrim by the lake at dusk, delicate brushwork showing tiny lamps and ripples, a translucent yajña scene floating in reflection, refined faces, soft desert hills, cool blues with warm gold points of light.","kerala_mural_prompt":"Kerala mural style: bold outlined upavāsī in seated posture, stylized ghāṭa and lamps, yajña vision in upper register as iconic fire-altars, earthy reds/yellows/greens, temple mural symmetry and decorative borders.","pichwai_prompt":"Pichwai cloth painting style: central fasting figure framed by lotus and floral borders, deep blue lake with gold highlights, decorative yajña-flame motifs above the water, peacocks and temple flags at edges, intricate Nathdwara-like ornamentation adapted to Puṣkara setting."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["evening temple bells","oil-lamp crackle","soft conch shell","water lapping","low hum of mantra-japa"]}

Sandhi Resolution Notes: तत्रोपवासी = तत्र + उपवासी; यत्फलम् = यत् + फलम्; तत्प्राप्नोति = तत् + प्राप्नोति; क्षिप्रमल्पायासेन = क्षिप्रम् + अल्पायासेन

P
Puṣkara
P
Puṇḍarīka-yajña

FAQs

It presents Puṣkara as a uniquely potent sacred site where a simple observance (fasting) yields results comparable to major Vedic sacrifices, highlighting the Purāṇic idea that certain places concentrate spiritual efficacy.

By stating that great sacrificial merit can be attained “with little effort” through fasting at Puṣkara, it elevates accessible devotional/ritual observance over costly, elaborate rites—making spiritual attainment available to ordinary people.

It encourages disciplined self-restraint (upavāsa) and sincere practice, suggesting that inner commitment and right observance—especially in a sanctified context—can be more transformative than mere external expenditure or display.