Shloka 16
The Procedure for the Consecration of a Pond
कुंडलानि च हैमानि केयूरकटकानि च । तथांगुलिपवित्राणि वासांसि विविधानि च
kuṃḍalāni ca haimāni keyūrakaṭakāni ca | tathāṃgulipavitrāṇi vāsāṃsi vividhāni ca
Goldene Ohrringe, Armspangen und Armreifen, ebenso Fingerringe und Gewänder mancherlei Art — auch dies wird (als Gabe) genannt.
Unspecified (narrative context not provided in the input excerpt)
Concept: Ornaments and garments offered in a sacred context become instruments of dharma—beauty is not rejected but consecrated through giving.
Application: Use resources to support teachers, caregivers, and sacred/community institutions; let personal luxury become shared dignity through charitable gifting.
Primary Rasa: shringara
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"Trays of gleaming gold ornaments—earrings, armlets, bangles, and finger-rings—are arranged beside folded garments of varied weave and color. Priests and attendants receive them with composed gratitude, while the yajamāna offers with palms joined, turning worldly splendor into sacred merit.","primary_figures":["yajamāna","ṛtviks","attendants","ācārya"],"setting":"Ritual pavilion with gift tables, folded textiles, ornament trays, and a sanctified fire/altar in the background.","lighting_mood":"temple lamp-lit","color_palette":["polished gold","silk crimson","indigo blue","ivory","emerald green"],"tanjore_prompt":"Tanjore painting style: close, iconic composition of gift-giving—gold earrings, armlets, bangles, rings, and richly patterned garments; heavy gold-leaf on ornaments, jewel-like highlights, deep red-green background, ornate borders with lotus and vine motifs, dignified priestly figures receiving dakṣiṇā.","pahari_prompt":"Pahari miniature style: delicate depiction of textiles and jewelry on low tables; soft shading on gold, refined faces, gentle gestures of offering and receiving, cool palette accents with lyrical interior architecture.","kerala_mural_prompt":"Kerala mural style: stylized gold ornaments with bold outlines; patterned garments in red/yellow/green; figures in formal poses, temple-wall aesthetic, rhythmic repetition of jewelry forms as decorative motifs.","pichwai_prompt":"Pichwai cloth painting style: symmetrical arrangement of ornament trays and folded cloth framed by floral borders; deep blue ground with gold detailing, lotus motifs, temple lamps, and a devotional atmosphere of consecrated abundance."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft bells","rustle of silk cloth","clink of metal ornaments","low mantra drone","fire crackle in distance"]}
Sandhi Resolution Notes: तथांगुलिपवित्राणि = तथा + अङ्गुलिपवित्राणि (स्वर-सन्धि); अन्यत्र पदच्छेदः स्पष्टः।
FAQs
It lists golden earrings (kuṇḍalāni haimāni), armlets (keyūra), bangles/bracelets (kaṭakāni), finger-rings (aṅguli-pavitrāṇi), and various garments (vāsāṃsi vividhāni).
In isolation, it is primarily descriptive—cataloguing adornments and clothing. Any broader theological or devotional emphasis depends on the surrounding narrative of Adhyaya 27.
The verse reflects attention to proper offerings/adornments and material provisions; ethically, it can be read as valuing completeness and appropriateness in acts of giving or honoring, though the exact lesson depends on the larger passage.