Shloka 4
The Aśūnyaśayanā Vow (Unempty Bed) and the Aṅgāraka Caturthī Observance
आवाहनादिकां पूजां पूर्ववत्परिकल्पयेत् । अशून्यशयना नाम द्वितीयासौ प्रकीर्तिता
āvāhanādikāṃ pūjāṃ pūrvavatparikalpayet | aśūnyaśayanā nāma dvitīyāsau prakīrtitā
Man soll die Verehrung, beginnend mit der Anrufung (āvāhana), wie zuvor vorgeschrieben, ordnungsgemäß einrichten. Diese Observanz wird als die zweite verkündet und heißt Aśūnyaśayanā, „das Gelübde, das Lager nicht leer zu lassen“.
Unspecified (narratorial instruction within Adhyaya 24 context)
Concept: Correctly structured worship (āvāhana-ādi) sanctifies domestic life; the Aśūnyaśayanā vow sacralizes conjugal/home stability as a dharmic offering to Viṣṇu.
Application: Follow a simple, consistent pūjā sequence (invocation, offering, prayer, dismissal); treat relationships and home responsibilities as part of spiritual discipline.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"Inside a lamp-lit household shrine, a devotee carefully performs āvāhana and the subsequent offerings in orderly sequence—water, flowers, incense, and a small lamp—before a serene Viṣṇu-Lakṣmī icon. In the background, a neatly prepared bed with auspicious textiles symbolizes the vow’s name, ‘Aśūnyaśayanā,’ suggesting fullness, continuity, and protected domestic harmony.","primary_figures":["Viṣṇu (Keśava/Govinda)","Lakṣmī","a householder devotee (often depicted as a married woman, but can be a couple)"],"setting":"A domestic altar room with brass lamps, kalasha, conch, flower plates, and an auspiciously arranged bed in the adjoining space.","lighting_mood":"temple lamp-lit","color_palette":["warm amber","vermillion","emerald green","cream white","antique gold"],"tanjore_prompt":"Tanjore painting style: Viṣṇu-Lakṣmī seated on a lotus throne within a carved arch; devotee performing āvāhana with a brass kalasha and lamp; gold leaf highlights on jewelry and lamps; rich red-green textiles; a symbolic bed with auspicious patterns shown to the side to indicate Aśūnyaśayanā; ornate borders with lotus and conch motifs.","pahari_prompt":"Pahari miniature style: quiet domestic interior with soft lamplight; delicate rendering of pūjā items (flowers, incense, lamp); devotee in graceful posture; adjoining bed with patterned coverlet; refined faces, gentle palette, intimate household sanctity.","kerala_mural_prompt":"Kerala mural style: iconic Viṣṇu-Lakṣmī panel with bold outlines; devotee at lower register holding lamp and water vessel; stylized household objects; warm yellow and red background with green accents; temple-wall composition adapted to a home shrine scene.","pichwai_prompt":"Pichwai cloth painting style: central Viṣṇu-Lakṣmī amid lotus motifs; symmetrical arrangement of pūjā offerings; decorative border with floral vines; subtle inclusion of a bed motif as a patterned panel; deep indigo and gold with pink lotuses, Nathdwara-like ornamentation adapted to Viṣṇu-Lakṣmī."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["oil lamp crackle","soft bell at each upacāra","conch (opening/closing)","quiet household ambience"]}
Sandhi Resolution Notes: पूर्ववत् + परिकल्पयेत् → पूर्ववत्परिकल्पयेत् (त् + प → त्प); द्वितीया + असौ → द्वितीयासौ (आ + अ → आ).
FAQs
It instructs that the worship should be performed with the standard sequence beginning with āvāhana (invocation), following the same method described earlier in the chapter.
It is the name of a specific religious observance (vrata) identified here as the second in a series, literally meaning “not having an empty bed.”
The verse emphasizes disciplined continuity in ritual practice—performing worship according to established procedure—and honoring a defined vow as part of dharmic observances.