Shloka 27
Rudra’s Removal of Brahmahatyā; Kapālamocana and Avimukta Māhātmya; Origins of Nara and Karṇa
link to Arjuna/Karna query
नरो नामैष पुरुषः परमास्त्रविदां वरः । भवतोक्तो नर इति नरस्तस्माद्भविष्यति
naro nāmaiṣa puruṣaḥ paramāstravidāṃ varaḥ | bhavatokto nara iti narastasmādbhaviṣyati
Diese Person heißt Nara, der Beste unter denen, die die höchsten Waffen kennen. Weil du ihn «Nara» genannt hast, darum wird er wahrlich Nara sein.
Unspecified in provided excerpt (context needed from surrounding verses).
Concept: Names in sacred narrative are not arbitrary; they disclose destiny and function (nāma-rūpa as purposeful manifestation).
Application: Use speech carefully; words shape identity and direction—name virtues, commit to them, and live accordingly.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"The mysterious archer is now calmly identified: ‘He is Nara,’ the supreme knower of divine weapons. The moment feels like a seal placed upon destiny—sound becoming form—while the fiery aura steadies into a clear, heroic presence.","primary_figures":["Viṣṇu (as namer/knower)","Rudra (listener)","Nara"],"setting":"cosmic dialogue space with the kapāla motif fading into a stable aura around Nara","lighting_mood":"golden dawn","color_palette":["soft gold","pearl white","sky blue","sandalwood beige","crimson"],"tanjore_prompt":"Tanjore painting style: central Nara with bow, now fully formed and serene; Viṣṇu in instructive posture, Rudra attentive; gold leaf inscriptions-like aura around the name ‘Nara’ suggested through ornamental script motifs, rich reds and greens, heavy jewelry and prabhāmaṇḍalas.","pahari_prompt":"Pahari miniature style: gentle dawn tones, Nara’s face refined and tranquil, Viṣṇu’s gesture indicating naming; delicate calligraphic flourish near Nara to imply the spoken name, minimal background with pale lotus clouds.","kerala_mural_prompt":"Kerala mural style: Nara in iconic stance with bow, Viṣṇu and Rudra flanking; bold outlines, warm pigments, stylized aura bands around Nara to signify the fixed identity bestowed by speech.","pichwai_prompt":"Pichwai cloth painting style: Nara centered within a lotus-medallion, decorative border patterns suggesting sacred syllables; deep blue and gold with floral filigree, symmetrical composition, devotional textile richness."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft conch in distance","gentle bell","silence after the naming"]}
Sandhi Resolution Notes: नामैष → नाम + एषः; परमास्त्रविदां → परम + अस्त्रविदाम्; भवतोक्तो → भवता + उक्तः; नरस्तस्मात् → नरः + तस्मात्.
FAQs
It explains the naming of a figure as “Nara,” linking the name to the act of being addressed that way, and praises him as the foremost knower of supreme weapons.
Indirectly, it highlights how identity and reputation are shaped by recognized qualities (excellence in knowledge/skill) and by authoritative designation within sacred narrative.
The speaker cannot be determined from this single verse alone; the surrounding dialogue (earlier/later verses of Adhyaya 14) is required to identify whether it is a narrator or a dialogue partner.