Shloka 29
Yayāti’s Ascent to Heaven
and Entry into Vaikuṇṭha
ततो देवाः सगंधर्वाः किन्नराश्चारणास्तथा । सहिता देवराजेन आगताः संमुखं तदा
tato devāḥ sagaṃdharvāḥ kinnarāścāraṇāstathā | sahitā devarājena āgatāḥ saṃmukhaṃ tadā
Darauf kamen die Götter, zusammen mit Gandharvas, Kinnaras und Cāraṇas, vom König der Götter begleitet, ihm damals entgegen.
Narrator (context not specified in the provided excerpt)
Concept: Merit attracts divine recognition; the cosmos responds to dharmic power with honor and assistance.
Application: Let recognition (even ‘divine’ praise) be received with humility; treat honors as confirmations to continue dharma rather than as final attainment.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: celestial_realm
Visual Art Cues: {"scene_description":"A radiant celestial avenue opens as Devas arrive in ordered ranks, Gandharvas carrying vīṇās and singing, Kinnaras with luminous, otherworldly features, and Cāraṇas chanting praises. Indra stands at the forefront beneath a jeweled canopy, the air filled with flower-rain and shimmering banners.","primary_figures":["Indra (Devarāja)","Devas","Gandharvas","Kinnaras","Cāraṇas","righteous king (recipient of honor, implied)"],"setting":"Svarga’s court approach—jeweled terraces, wish-fulfilling trees, cloud-pavilions, and celestial banners.","lighting_mood":"golden dawn","color_palette":["celestial gold","turquoise","amethyst purple","cloud white","coral red"],"tanjore_prompt":"Tanjore painting style: Indra under a gemmed parasol at the center, surrounded by devas with ornate crowns; Gandharvas with vīṇās and drums; thick gold leaf on jewelry and architecture; rich reds/greens, symmetrical court composition, floral garlands and flower-rain rendered with embossed detailing.","pahari_prompt":"Pahari miniature style: airy Svarga terraces with delicate architectural lines; musicians in flowing garments; cool turquoise sky with soft cloud bands; refined faces and gentle gestures; subtle gold highlights on crowns and instruments.","kerala_mural_prompt":"Kerala mural style: bold outlines, flat pigments; Indra with characteristic large eyes and elaborate mukuta; rows of celestial beings and musicians; stylized trees and cloud-palaces; dominant yellow-red-green palette with rhythmic repetition.","pichwai_prompt":"Pichwai cloth painting style: processional bands of celestial musicians and singers; ornate borders of lotuses and creepers; deep blue ground with gold accents; flower-rain motifs; central Indra figure framed like a shrine panel, intricate textile-like patterning."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["vīṇā strains","mridanga rhythm","anklet chimes","conch shell","flower-rain hush"]}
Sandhi Resolution Notes: सगंधर्वाः = स + गन्धर्वाः (अव्ययीभाव-समास/सह-अर्थ); किन्नराश्चारणास्तथा = किन्नराः + च + (च) + आरणाः/चारणाः + तथा (पाठे 'cāraṇāḥ' अपेक्षित); संमुखं = सम् + मुखम् (प्रातिपदिक saṃmukha)
FAQs
They are celestial classes of beings in Purāṇic literature: Gandharvas are heavenly musicians, Kinnaras are mythic celestial beings often associated with music, and Cāraṇas are divine bards/praisers who move through the worlds.
Devarāja generally refers to Indra, the king of the gods in Vedic and Purāṇic tradition.
It signals a formal celestial gathering and an approaching encounter—often a prelude to a request, a boon, a confrontation, or a significant revelation in the surrounding passage.