Yayāti’s Summons to Heaven and the Teaching on Old Age, the Five-Element Body, and Self–Body Discernment
सगरो नाम मेधावी नहुषश्च पिता तव । ऋतवीर्यः कृतज्ञश्च शंतनुश्च महामनाः
sagaro nāma medhāvī nahuṣaśca pitā tava | ṛtavīryaḥ kṛtajñaśca śaṃtanuśca mahāmanāḥ
Sagara war ein weiser König; Nahusha war dein Vater. Ṛtavīrya war dankbar, und auch Śaṃtanu war von großem Geist.
Unspecified (context required; likely a narrator listing royal ancestors in a dialogue section of the Bhūmi-khaṇḍa)
Concept: Wisdom, gratitude, and magnanimity are royal virtues that outlive the body through fame and posthumous honor.
Application: Practice kṛtajñatā (gratitude) and medhā (discernment); treat authority as stewardship, not entitlement.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A scroll-like panorama unfurls: Sagara, Nahūṣa, Ṛtavīrya, and Śaṃtanu appear as regal portraits within medallions, each medallion connected by a golden vine of dharma. The background is a calm, star-washed sky suggesting that virtues become constellations.","primary_figures":["Sagara","Nahūṣa","Ṛtavīrya","Śaṃtanu"],"setting":"Celestial genealogy scroll suspended in space, with ornamental borders and faint lotus constellations.","lighting_mood":"moonlit","color_palette":["midnight indigo","antique gold","ivory","crimson lake","jade green"],"tanjore_prompt":"Tanjore painting style: four royal portrait-medallions (Sagara, Nahūṣa, Ṛtavīrya, Śaṃtanu) arranged on a vertical genealogical panel; thick gold leaf borders, embossed halos, and gem-like highlights; rich red-green textiles; stylized lotus vines linking medallions; South Indian ornamental framing with temple-arch motifs.","pahari_prompt":"Pahari miniature style: a lyrical genealogical scene with four kings seated on low thrones, each in a separate vignette within a single page; delicate facial features, soft pastel sky, fine textile patterns; subtle narrative continuity via a golden creeper motif; cool palette with refined linework.","kerala_mural_prompt":"Kerala mural style: four figures in compartmentalized panels with bold outlines; flat pigments and decorative lotus rosettes; emphasis on large expressive eyes and stylized crowns; warm ochres and reds balanced with green borders.","pichwai_prompt":"Pichwai cloth painting style: ornate floral border with lotus and bel motifs; four regal figures placed around a central lotus mandala; deep blue ground with gold detailing; intricate textile patterns and symmetrical composition reminiscent of temple hangings."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["tanpura drone","soft mridangam pulse","page-turning rustle (scroll imagery)","distant bells"]}
Sandhi Resolution Notes: नहुषश्च = नहुषः + च; कृतज्ञश्च = कृतज्ञः + च; शंतनुश्च = शंतनुः + च
It names Sagara, Nahusha (as 'your father'), Ṛtavīrya (described as grateful), and Śaṃtanu (described as great-minded).
The verse highlights virtues of rulership—wisdom (medhāvī), gratitude (kṛtajña), and nobility or magnanimity (mahāmanāḥ)—as qualities worthy of remembrance.
The verse does not identify the addressee by name; determining who is being addressed requires the surrounding verses or the chapter’s dialogue frame.