Padma Purana — Bhumi Khanda, Shloka 29
The Deeds of Nahuṣa: Entry into Nāgāhvaya, Reunion with Parents, and Royal Consecration
स्वकर्मभिर्महाराजः पुत्रस्यापि सुतेजसा । हरेर्लोकं गतः पुण्यैर्निवसत्येष भूपतिः
svakarmabhirmahārājaḥ putrasyāpi sutejasā | harerlokaṃ gataḥ puṇyairnivasatyeṣa bhūpatiḥ
Durch seine eigenen Taten, o großer König, und auch durch das strahlende Verdienst seines Sohnes ist dieser Herrscher in die Welt Haris gelangt; von seinen Tugenden getragen, weilt er dort.
Unspecified (narrative voice addressing a king as 'mahārāja')
Concept: Merit rooted in one’s own dharmic deeds, strengthened by the virtuous potency of one’s progeny, leads to residence in Hari’s realm—suggesting bhakti-aligned puṇya culminates in Viṣṇu-oriented destiny.
Application: Invest in actions that outlive you—ethical conduct, generosity, and raising/mentoring others in virtue; see family duty as spiritual stewardship, not mere social obligation.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A radiant gateway of shankha-chakra motifs opens into Hari-loka, where the king stands in humble awe, his merits visualized as a luminous garland woven from his deeds and his son’s tejas. In the distance, Viṣṇu’s serene presence is suggested by a vast blue-gold aura, while sages and devas offer salutations along a path of lotuses.","primary_figures":["The king (Āyu or the referenced ruler)","Hari (Viṣṇu)","Sages","Devas","Symbolic presence of the son (as a halo/tejas)"],"setting":"Vaikuṇṭha-like realm with lotus pathways, jeweled trees, and celestial attendants holding conch and discus emblems","lighting_mood":"divine radiance","color_palette":["deep indigo","molten gold","lotus white","turquoise","coral red"],"tanjore_prompt":"Tanjore painting style: Vaikuṇṭha court with Viṣṇu enthroned, heavy gold leaf halo and arch, shankha-chakra motifs embossed, the king approaching with folded hands, sages and devas in symmetrical rows, rich reds/greens, gem-studded ornaments, ornate border of lotuses.","pahari_prompt":"Pahari miniature style: serene Vaikuṇṭha garden with jeweled trees and lotus ponds, Viṣṇu in calm blue tones, the king and attendants rendered with delicate lines, soft cloud bands, refined facial expressions of peace and devotion.","kerala_mural_prompt":"Kerala mural style: iconic Viṣṇu with bold outlines and large eyes, flat indigo and yellow fields, lotus path leading the king forward, rhythmic attendants with conch and discus, temple-wall grandeur and symmetry.","pichwai_prompt":"Pichwai cloth painting style: Krishna-Viṣṇu centered within a lotus mandala, intricate floral borders, cows/peacocks subtly integrated at edges, deep blues and gold, the king depicted as a small devotee figure approaching along a lotus-strewn path, Nathdwara-inspired ornamentation."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["conch shell","soft temple bells","drone of tanpura","gentle choral 'Hari' refrain"]}
Sandhi Resolution Notes: स्वकर्मभिर्महाराजः = स्वकर्मभिः + महाराजः; पुत्रस्यापि = पुत्रस्य + अपि; हरेर्लोकम् = हरेः + लोकम्; पुण्यैर्निवसत्येष = पुण्यैः + निवसति + एषः
FAQs
It refers to Viṣṇu’s divine realm—often understood as a Vaishnava heaven (Viṣṇuloka/Hariloka)—attained through merit, devotion, and righteous conduct.
The verse reflects a Purāṇic ethic where familial virtue and religious merit can have shared spiritual effects—here, the son's meritorious “splendor” is said to support the father’s auspicious destiny.
It emphasizes that one’s own karma and accumulated punya are decisive for one’s spiritual state, while also affirming the value of raising virtuous offspring whose merit can uplift the family line.