The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
चिंतयित्वा महायोगं ततश्चावाहयेत्क्रमात् । मीनरूपावहश्चैव नरसिंहश्च वामनः ॥ २६ ॥
ciṃtayitvā mahāyogaṃ tataścāvāhayetkramāt | mīnarūpāvahaścaiva narasiṃhaśca vāmanaḥ || 26 ||
Nachdem man den Höchsten als Mahāyoga betrachtet hat, soll man Ihn sodann der rechten Reihenfolge nach anrufen: als Den, der die Gestalt des Fisches annimmt, sowie als Narasiṃha und Vāmana.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that worship begins with inner contemplation (dhyāna) of the Supreme as Mahāyoga, and then proceeds to formal invocation (āvāhana), recognizing the Lord’s protective descents as avatāras.
Bhakti is shown as both inward and outward: first steady remembrance/meditation, then reverent ritual invitation of Vishnu’s forms—Matsya, Narasiṃha, and Vāmana—so devotion becomes focused, personal, and orderly.
It reflects kalpa/ritual procedure (proper kramā—sequence) through the practice of āvāhana and dhyāna as parts of pūjā-vidhi, emphasizing correct order and method in worship.